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禮拜堂，性感而神秘的畫家，用誘惑的藝術(shù)進(jìn)站她同父異母的弟弟和報(bào)復(fù)對(duì)她的虐待父親的行為對(duì)對(duì)方他最好的朋友。一個(gè)危險(xiǎn)的三角戀愛隨之而來(lái)。
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精靈寶可夢(mèng)：決戰(zhàn)時(shí)空之塔帝牙盧卡VS帕路奇犽VS達(dá)克萊伊
松本梨香,大谷育江,上田祐司,豐口惠美,小櫻悅子,林原惠美,三木真一郎,犬山犬子,鈴鹿千春,能登麻美子,井上喜久子,三宅健太,伊東美彌子,西村千奈美,川上倫子,阪口大助,小西克幸,古島清孝,石冢運(yùn)升,佐藤智惠,仁科洋平,傳坂勉,逢坂力,座光寺知幸,佐佐木日菜子,植竹香菜,中塚玲,寺谷美香,西優(yōu)子,三浦博和,相馬幸人,中西英樹,山本耕史,加藤羅莎,秋山龍次,馬場(chǎng)裕之,山本博,中川翔子,石坂浩二,山寺宏一奇遇
賈冰,王皓,李夢(mèng),鄭合惠子,楊皓宇,翟子路,于洋,費(fèi)啟鳴,李乃文,馬旭東,鄧帥,李治良,馮滿,郝瀚,李飛,小沈陽(yáng),徐浩倫,譚湘文,唐香玉養(yǎng)鬼吃人4
Charlotte Chatton狼蛛
約翰·艾加爾,里奧.G.卡羅爾,克林特·伊斯特伍德噴火女郎
邱淑貞,鄭丹瑞,鄭裕玲,葉德嫻,朱江,黎小田,文雋,黎彼得,程?hào)|,陳慧儀,苑瓊丹,李兆基,劉松仁箱男
永瀨正敏,淺野忠信,佐藤浩市,白本彩奈,澀川清彥,中村優(yōu)子,川瀨陽(yáng)太導(dǎo)演精選
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
附身
1985年，濃霧籠罩的郊外，周日早晨少女麗莎·約翰遜（阿比蓋爾·布蕾斯琳 Abigail Breslin 飾）被弟弟羅比（Peter DaCunha 飾）吵醒。她頗感煩惱地起床，按照媽媽（米歇爾·諾爾頓 Michelle Nolden 飾）的指示洗衣服，爸爸布魯斯（彼德·奧德博拉治 Peter Outerbridge 飾）則在地下室修著汽車?？此破椒矡o(wú)奇的普通人家，卻彌漫著詭異神秘的氣息。不知曾幾何時(shí)，麗莎發(fā)現(xiàn)每天重復(fù)著同樣的內(nèi)容，家人反復(fù)干著同樣的事、說(shuō)著同樣的話、度過(guò)同一個(gè)濃霧籠罩的周末。她嘗試改變這一切，然而無(wú)從下手，此外更有帶著死神氣息的男子警告麗莎不要破壞當(dāng)前的一切。無(wú)法忍受折磨的麗莎，不可避免落入過(guò)去、現(xiàn)在和未來(lái)的夾縫中，局勢(shì)完全失控……
反恐疑云
埃及裔美國(guó)人安瓦?艾爾?伊布拉西米（奧瑪爾?梅特瓦利 飾）大約二十年前，從埃及移民到了美國(guó)，與漂亮的美國(guó)姑娘伊莎貝拉?菲爾茲（莉絲?維瑟斯彭 飾）成了家，夫妻恩愛生活美滿，育有一子，伊莎貝拉肚子里的第二胎也日漸成型?！ ∧橙?，安瓦?艾爾?伊布拉西米從南非出差回來(lái)，在華盛頓機(jī)場(chǎng)被神秘的黑衣人帶走，原因是中央情報(bào)局認(rèn)為身為化學(xué)品工程師的安瓦?艾爾?伊布拉西米是恐怖分子，想從他口中撬出有用的情報(bào)。倒霉的安瓦被“引渡”至埃及的開羅，交由駐扎在當(dāng)?shù)氐闹星榫痔絾T道格拉斯?弗里曼（杰克?吉倫哈爾 飾）和老奸巨猾的當(dāng)?shù)靥絾T審訊。 另一方面，身懷六甲的伊莎貝拉，堅(jiān)信丈夫是無(wú)辜的，四下奔走，努力尋找丈夫的下落。期間，她雖然幸運(yùn)地獲得舊情人（彼得?薩斯加德 飾）的幫助，但終究不足以國(guó)家強(qiáng)勢(shì)機(jī)構(gòu)對(duì)抗，一籌莫展?！ ∨c此同時(shí)，剛剛?cè)胄胁痪玫奶毓さ栏窭?弗里曼，在目睹了CIA同事們對(duì)安瓦進(jìn)行的非人道審訊時(shí)，也面臨著良心的拷問(wèn)。 安瓦是不是恐怖分子？伊莎貝拉能否和丈夫團(tuán)圓？中情局新手道格拉斯?弗里曼，究竟在這場(chǎng)暗戰(zhàn)中發(fā)揮了怎樣的作用？對(duì)這一切疑問(wèn)的解答，必將引向?qū)Α耙伞闭叩闹匦聦徱暋?/p>