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吸血獵手
科里·費爾德曼,馬爾科姆·麥克道威爾,魯格·豪爾,布魯斯·戴維森,迪恩·S·賈格爾,Richard Wagner,費爾南達(dá)·羅梅羅,Patrick Brennan,Chris Pardal,托馬斯·瓊斯,Lovake Heyer,金貝里·皮特森,Elizabeth Greer,霍莉·林奇,考特尼·蓋恩斯,薩姆·魯克,Clementine Heath, 金佰利·道格爾迪,Shafik N. Bahou像我這樣的愛情
廖子妤,陳家樂,劉雅麗,楊淇,劉若寶,林芷沿古曼童
辛迪·米蘭達(dá),納塔朋·迪洛那瓦立,Althea Ruedas,Jariya Therakaosal,Emman Esquivel玉米地的小孩:大逃亡
瑪茜·米勒,Molly Nikki Anderson,Blaine Maye,Lynn Andrews III,JR Hatchett,Mary Kathryn Bryant,Jake Ryan Scott,Sara Moore,Gavin Taylor,Debbi Tucker,Glenda Taylor,Cacky Poarch,Tom Allen,Tyler Corbin,Daria Balling,William Sturgeon奇幻變身大冒險
邁克爾·B·喬丹,朱諾·坦普爾,崔西·摩根,塞德里克·凱爾斯,內(nèi)森·格雷諾,賈斯蒂娜·馬查多,Joan Ryan,Antwinette Mccloud,Camden Brooks別來這兒
瓊·伊約拉,阿拉祖,尼古拉斯·薩爾蒙同類推薦
異形侵襲
Ian McCulloch,Louise Marleau,Marino Masé所謂的無船員的船攜帶咖啡駛?cè)爰~約,但是當(dāng)警察和一些科學(xué)家在船上發(fā)現(xiàn)了船員可怕的尸體和大量的盒子裝滿綠色蟲蛋。爆炸的時候蛋溫度升高和任何人誰接觸的物質(zhì)都會爆炸?,F(xiàn)在政府介入和幸存的軍官,一名上校和一名宇航員發(fā)現(xiàn)這些蛋可能與災(zāi)難性的火星任務(wù)有關(guān)。
斗氣俏冤家
Sophie Marceau,David Spade,Artie Lange迪倫(大衛(wèi)·斯佩德 David Spade 飾)是一個無憂無慮的年輕人,生活在洛杉磯的一幢十分舒適的房子里,生活里沒有什么事情能夠讓他心煩,可謂十分自在。一天,他的隔壁搬來了一位名叫莉拉(蘇菲·瑪索 Sophie Marceau 飾)的女鄰居,莉拉美麗、溫柔,充滿了神秘感,她的不可捉摸深深的吸引了迪倫,讓后者的腦袋里裝滿了有關(guān)她的浪漫想象。 然而莉拉對愛情卻并沒有什么憧憬,她有一個十分善妒的前男友瑞納(帕特里克·布魯爾 Patrick Bruel 飾),莉拉想要的全部,就是盡快擺脫這個可怕的男人,和自己的狗狗杰克一起相依為命。為了博取莉拉的信任,迪倫偷偷藏起了杰克,哪知道事態(tài)的發(fā)展?jié)u漸超出了他的掌控。
一英里
瑞安·菲利普,艾米麗·霍菲爾,莎拉·坎寧,Sage Linder,貝薇莉·埃利奧特,菲爾·伯克,加布里埃爾·哈辛托,C·托馬斯·豪威爾,理查德·哈蒙,邁克爾·艾克朗德,Aodhan Guy,Jimmy Clarke,安德烈·特里科圖,杰森·博杜安,Harper Grace Maybin,Jayden Popik,James Michalopolous,Anthony Timpano,烏戈·雷蒙多,艾普爾·特萊克一位父親刑滿釋放后,試圖通過帶女兒參觀大學(xué)校園來修復(fù)父女關(guān)系。然而,當(dāng)一個兇殘的邪教開始追殺他們時,兩人所要拼命守護的,早已不只是那段早已破碎的親情。
我的生命之光
卡西·阿弗萊克,伊麗莎白·莫斯,安娜·尼奧斯基,湯姆·鮑爾,蒂莫西·韋伯,蒙克·塞雷爾·弗里德,赫羅斯加·馬修斯影片故事講述一名父親傾盡所有去保護自己的女兒。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster