隔壁的姐妹們

★ 8.0 播放:87萬 更新:2026-05-01
主演:陳詩雅 李采潭 ??? 

一對姐妹住在一起,互為鄰居,姐姐的丈夫隨著結(jié)婚越來越久,對姐姐失去性趣,姐姐不管怎么賣弄風(fēng)騷都無法挑逗成功,偶然一天姐姐在網(wǎng)上看到一種能讓男人重振雄風(fēng)的藥酒,想買卻遭到了妹妹的阻撓,稱其為廣告騙子,而妹妹卻偷偷買來給自己的男人喝,喝后果然威猛無比,而姐姐的丈夫外出吃飯時,遇到一位風(fēng)騷的女老板,而女老板正好也給他來了一壺廣告中的藥酒.....

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劇情簡介

一對姐妹住在一起,互為鄰居,姐姐的丈夫隨著結(jié)婚越來越久,對姐姐失去性趣,姐姐不管怎么賣弄風(fēng)騷都無法挑逗成功,偶然一天姐姐在網(wǎng)上看到一種能讓男人重振雄風(fēng)的藥酒,想買卻遭到了妹妹的阻撓,稱其為廣告騙子,而妹妹卻偷偷買來給自己的男人喝,喝后果然威猛無比,而姐姐的丈夫外出吃飯時,遇到一位風(fēng)騷的女老板,而女老板正好也給他來了一壺廣告中的藥酒.....

導(dǎo)演精選

洗發(fā)水

 喬治(沃倫·比蒂 Warren Beatty 飾)是一名美容師,經(jīng)過他那雙神奇的手打理過后,所有的女人都會變得容光煥發(fā)。隨著業(yè)務(wù)量的增長,女友吉爾(歌蒂·韓 Goldie Hawn 飾)鼓勵喬治開設(shè)自己的美容院,可是,在這塊寸土寸金的地方,想要擁有自己的一席之地談何容易呢。喬治找到了生意人萊斯特(杰克·瓦爾登 Jack Warden 飾),想要說服他投資自己的美容院,而萊斯特并不知道的是,風(fēng)流成性的喬治,不僅和自己的妻子有不清不楚的關(guān)系,甚至和他的女兒也走的很近。世界上哪有密不透風(fēng)的墻呢,當(dāng)吉爾得知了喬治的這些花邊新聞后,還能夠堅定地站在他身邊支持他嗎?

伉儷

  一對愛侶Liz和Malcolm去到一座偏僻的小屋度假,Malcolm卻因意外先回城了,留下Liz獨自一人,她很快發(fā)現(xiàn)這座小屋有著邪惡可怕的過去,如今纏上了自己。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster