女番長(zhǎng)布魯斯：雌蜂的逆襲

★ 5.3 播放：17萬(wàn) 更新：2026-04-25

雅典娜團(tuán)是關(guān)西一支靠敲詐、盜竊為生的女子團(tuán)伙。她們有著嚴(yán)格的組織紀(jì)律，其中一條便是不得和任何男人相愛(ài)。她們依附于黑社會(huì)組織秋本組，其成員次郎（流健二郎飾）是這群女孩的保護(hù)者。次郎和女隊(duì)長(zhǎng)玲子（池玲子飾）互相愛(ài)慕，但礙于身份無(wú)法挑明。秋本組為求壯大，拋棄尊嚴(yán)和榮譽(yù)，不擇手段追求金錢(qián)。頭目土居正也（天知茂飾）為其不容，被迫休假。次郎則沉湎其中，一度為了前途命玲子用身體換取利益。玲子拒絕，受到嚴(yán)酷懲罰，次郎亦因此被逐出幫會(huì)。秋本組綁架實(shí)業(yè)家的浪蕩子英二（瀧俊也飾），企圖換取實(shí)業(yè)家手下能帶來(lái)巨額利潤(rùn)的興奮劑。希望退休的土居被迫接受人質(zhì)交換的任務(wù)，而玲子和次郎為救英二也開(kāi)始行動(dòng)起來(lái)……本片為“女番長(zhǎng)系列”的第一部。

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劇情簡(jiǎn)介

雅典娜團(tuán)是關(guān)西一支靠敲詐、盜竊為生的女子團(tuán)伙。她們有著嚴(yán)格的組織紀(jì)律，其中一條便是不得和任何男人相愛(ài)。她們依附于黑社會(huì)組織秋本組，其成員次郎（流健二郎飾）是這群女孩的保護(hù)者。次郎和女隊(duì)長(zhǎng)玲子（池玲子飾）互相愛(ài)慕，但礙于身份無(wú)法挑明。秋本組為求壯大，拋棄尊嚴(yán)和榮譽(yù)，不擇手段追求金錢(qián)。頭目土居正也（天知茂飾）為其不容，被迫休假。次郎則沉湎其中，一度為了前途命玲子用身體換取利益。玲子拒絕，受到嚴(yán)酷懲罰，次郎亦因此被逐出幫會(huì)。秋本組綁架實(shí)業(yè)家的浪蕩子英二（瀧俊也飾），企圖換取實(shí)業(yè)家手下能帶來(lái)巨額利潤(rùn)的興奮劑。希望退休的土居被迫接受人質(zhì)交換的任務(wù)，而玲子和次郎為救英二也開(kāi)始行動(dòng)起來(lái)……本片為“女番長(zhǎng)系列”的第一部。

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　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

同盜中人第二季

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