談性不說(shuō)愛(ài)

評(píng)分：4.6 播放：58萬(wàn) 更新：2026-04-30
主演： 李善均 崔江熙 

政裴（李善均 飾）是一名專(zhuān)職漫畫(huà)人，雖然在畫(huà)技上有著不可比擬的天賦，但是在情節(jié)編排上的想象力匱乏讓他的漫畫(huà)屢屢遭到編輯的否定。一次偶然中，政裴得知了一個(gè)讓他心動(dòng)不已的消息出版社以1億3千萬(wàn)元的巨額獎(jiǎng)金公開(kāi)向社會(huì)征集優(yōu)秀的大人漫畫(huà)，看著對(duì)自己的編劇能力心知肚明的他知道，自己需要一個(gè)得力的合作人。與此同時(shí)，大人雜志專(zhuān)欄作家多琳（崔江熙 飾）卻剛剛因?yàn)樽约哼^(guò)于豐富的想象力而慘遭解雇，急于尋找一份新的工作的她也被1億3千萬(wàn)元的獎(jiǎng)金吸引了。就這樣，政裴和多琳兩人一拍即合，開(kāi)始了他們的合作歷程。為了得到獎(jiǎng)金，兩人可謂不擇手段，甚至不惜入住了同一屋檐下，在打打鬧鬧的生活中，兩個(gè)年輕人之間也產(chǎn)生了奇妙的感情。 　　

影片推薦

同類(lèi)精選

影視排行

夢(mèng)起云上

劉承林,李寶安,潘悅

八百里關(guān)中平原，一起商販和果農(nóng)的收購(gòu)沖突事件，促使兩個(gè)在外打拼的年輕人走在了一起，是素未蒙面的陌生人也是創(chuàng)業(yè)合作的歡喜冤家。在互聯(lián)網(wǎng)電商直播的浪潮下，他們和心懷希望的村民們擦出了神奇的火花，一起開(kāi)啟了一段瘋狂的嘗試與冒險(xiǎn)，踏上了共同致富的曼妙旅程。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

時(shí)間之外的故鄉(xiāng)

郭輝,朱宇涵,蔡宣萱

大二在讀的安小河，因高利貸等事遭到“追殺”，30歲畫(huà)家康梅梅因接到“病?！蓖ㄖ瑑扇讼群蟆疤印被氐胶愫舆叺募亦l(xiāng)，與在村里夢(mèng)想有一天能在河里找到傳說(shuō)中金碗的農(nóng)民康大恒在爭(zhēng)吵和交往中，安小河對(duì)康梅梅產(chǎn)生了不一樣的情愫，父女多年的隔閡也冰釋前嫌。

猩球崛起

安迪·瑟金斯,詹姆斯·弗蘭科,芙蕾達(dá)·平托,約翰·利思戈,布萊恩·考克斯,湯姆·費(fèi)爾頓,泰勒·萊伯恩,卡琳·考諾娃,泰瑞·諾塔里,理查德·賴(lài)丁斯,克里斯托弗·戈登,德文·達(dá)爾頓,杰·卡普托,大衛(wèi)·奧伊羅,杰米·哈里斯

　　為了能讓身患老年癡呆癥的父親重回正常的生活，威爾·羅曼（詹姆斯·弗蘭科 James Franco 飾）一直致力于名為“Cure”的基因藥物的開(kāi)發(fā)，并在大猩猩身上不斷進(jìn)行著藥物試驗(yàn)。在公司已經(jīng)失去信心的同時(shí)，威爾繼續(xù)在家完成試驗(yàn)，并在一只名為凱撒的大猩猩身上獲得成功。借助靈長(zhǎng)類(lèi)學(xué)家卡洛琳（芙蕾達(dá)·平托 Freida Pinto 飾）的幫助，威爾發(fā)現(xiàn)凱撒的智力極大地提高。不過(guò)，人類(lèi)的社會(huì)始終無(wú)法接受擁有極高智力的凱撒，凱撒被送往了猩猩看護(hù)所?？醋o(hù)所的殘酷對(duì)待，使得凱撒利用智慧進(jìn)行抗?fàn)?，最終救走了同時(shí)被囚禁的其他猩猩，而且對(duì)它們都使用了Cure。一群高智商的猩猩與人類(lèi)對(duì)立的戰(zhàn)爭(zhēng)就此拉開(kāi)。本片獲得了第84屆奧斯卡最佳視覺(jué)效果的提名。