董事秘書安奈

3.0 播放：63萬 2026-04-30

紀(jì)錄青春

欲望の塊と化した男たちに凌辱される、重役秘書安奈の姿を過激なエロスシーンを満載して描く。主演はグラビアやイメージビデオで活躍中の三枝実央。

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耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

悲情槍手

周里京,何麟,高穎,潘婕,黃達亮,談鵬飛,譚增衛(wèi),陳偉國

故事發(fā)生在抗戰(zhàn)時期的上海。天龍會首領(lǐng)肖潔榮（談鵬飛飾）委婉推辭日本陸軍總部要其出任親日同盟會長職務(wù)，隱退江湖。冷亦嘯（周里京飾）號稱天龍會第一槍手，他抵制日本人的倒行逆施，暗中與肖潔榮的獨生女肖嵐（高穎飾）相好。董浩然（何麟飾）覬覦會長職位，又貪肖嵐美色，他唆使肖潔榮把冷亦嘯從天龍會中逐出。不久，肖嵐委身董浩然，心灰意冷的冷亦嘯在記者陳麗娜（潘婕飾）推薦下，為他人做私人保鏢。肖潔榮悔不該當(dāng)初趕走冷亦嘯，差肖嵐相請遭拒。肖潔榮日后遭殺害，冷亦嘯中伏擊幸遇陳麗娜相救，他在激戰(zhàn)中打死董浩然。在日本人為慶?！绑胗媱潯鲍@得成功時，冷亦嘯幽靈般出現(xiàn)......