耐撕偵探2016

評分：6.0 播放：57萬 更新：2026-04-26

　　亞美莉亞（瑪格麗特·庫里 Margaret Qualley 飾）雇傭了打手杰克遜（羅素·克勞 Russell Crowe 飾），委托他幫助自己擺脫正在監(jiān)視自己的私家偵探霍蘭德（瑞恩·高斯林 Ryan Gosling 飾），哪知道在完成任務的過程中，杰克遜發(fā)現(xiàn)，一個遠比霍蘭德危險得多的人亦在監(jiān)視著亞美莉亞的一舉一動，更糟糕的是，亞美莉亞隨后失蹤了，無奈之下，杰克遜只得再度找到霍蘭德，要求他尋找亞美莉亞的下落?！　≈?，霍蘭德的女兒霍莉（安格瑞·賴斯 Angourie Rice 飾）也加入了行動當中，隨著調查的深入，越來越多的線索被聯(lián)系到了一起，越來越多的角色被卷入這個巨大的陰謀之中。

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麥茜·理查森·塞勒斯,珊農·沃德華德,Rosaline Elbay,Kate Szekely,吉米·讓-劉易斯,Benjamin Valenzuela,Brandi Huzzie,拉瑪爾·亞瑟,Loren Swan,Kelley Kali,謝恩·瑪姆帕米爾,凱西·福特·亞歷山大,Sidnei Barboza,Harsh Milan

《鋸齒狀心靈》講述的是一個女人被昏迷和奇怪的幻覺所困擾，她發(fā)現(xiàn)自己被困在了一系列的時間循環(huán)中，這可能與她神秘的新女友有關。

諸葛四郎-大戰(zhàn)魔鬼黨

王辰驊,蔣鐵城,王希華

　　傳說龍鳳雙劍合璧，能有無比神力。魔鬼黨首領笑鐵面覬覦桂王手中鳳劍寶劍，桂國陷入危機。諸葛四郎受託挺身而出，竟遭受真平的復仇挑釁，諸葛四郎腹背受敵。困境中英雄勇敢集結，和魔鬼黨展開搶奪寶劍大戰(zhàn)。諸葛四郎與魔鬼黨，到底誰會搶到那支寶劍？※本片可切換國語、臺語發(fā)音，另有客語發(fā)音版

監(jiān)控錄像

Akaranitimetharat

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好像一切都很糟糕

Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster