波爾圖
與日常四周格格不入?yún)s仍不想陷于自憐自傷的話,談一場戀愛如何?可惜這年頭轟轟烈烈不輪到他們,迂回兜轉(zhuǎn)最后甘于曖昧纏綿,一頭栽進(jìn)的迷霧抹不掉自戀兩字?兩顆寂寞的心相逢于波圖一夜,淡淡的連結(jié)共享了莫名感動(dòng)的時(shí)刻;眼前只有絲絲入扣的影像,背后也許尚勾起似有還無的回憶,之后你記得也好,最好忘掉。比《情留半天》更飄逸,較《有人喜歡藍(lán)》更浪蕩。真實(shí)本就在萬千一瞬之間消逝,有情人能把握的,說是時(shí)間的結(jié)晶,到頭來只能是如詩的升華。
劇情簡介
與日常四周格格不入?yún)s仍不想陷于自憐自傷的話,談一場戀愛如何?可惜這年頭轟轟烈烈不輪到他們,迂回兜轉(zhuǎn)最后甘于曖昧纏綿,一頭栽進(jìn)的迷霧抹不掉自戀兩字?兩顆寂寞的心相逢于波圖一夜,淡淡的連結(jié)共享了莫名感動(dòng)的時(shí)刻;眼前只有絲絲入扣的影像,背后也許尚勾起似有還無的回憶,之后你記得也好,最好忘掉。比《情留半天》更飄逸,較《有人喜歡藍(lán)》更浪蕩。真實(shí)本就在萬千一瞬之間消逝,有情人能把握的,說是時(shí)間的結(jié)晶,到頭來只能是如詩的升華。
為你推薦
禪武門
張玲,鄭少秋,田豐,王俠《撣武門》是1983年上映的臺(tái)灣電影,由張鵬翼導(dǎo)演。張玲,鄭少秋,王俠等人主演?!稉畚溟T》講述某朝皇帝在正月十五日比武大賽之前, 得知刑部大臣陸人敵欲乘機(jī)謀反, 乃飛鷹傳書其派駐在東, 南, 西, 北四郡的諸侯回朝護(hù)駕, 然四人均於回朝途中為刺客所暗殺, 南郡主之女孤獨(dú)冷雁於其父被刺後始得報(bào), 火速趕回想為父報(bào)仇· 一日孤獨(dú)冷雁巧遇鬼紅娘, 才知兩人同出一個(gè)師門, 尤其孤獨(dú)冷雁學(xué)得高深之禪功, 身手快捷, 眼力極強(qiáng), 卻可惜他·.....
嗜血之夜
Nate Dushku,Samantha Facchi,Danielle Harris一群十幾歲的少年慶祝一個(gè)本地連環(huán)殺人犯的忌日,突然發(fā)現(xiàn)他們自己與這個(gè)困擾的城市傳說的現(xiàn)實(shí)面對(duì)面。
棉花軟糖
柯賓·伯恩森,庫?!趥愃?Kai Cech,Max Malas在一個(gè)與世隔絕的夏令營里,膽小又內(nèi)向的12歲男孩摩根陷入了一場噩夢之中——曾經(jīng)被當(dāng)作傳說的一個(gè)篝火故事竟變成了現(xiàn)實(shí)。摩根和他新結(jié)識(shí)的朋友們必須踏上一段危險(xiǎn)重重的旅程,并揭開隱藏在表象之下的邪惡真相。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
愚者的身份
北村匠海,綾野剛,林裕太,山下美月,矢本悠馬,木南晴夏在社交網(wǎng)絡(luò)上偽裝女性,用話術(shù)誘騙無親無故的男性套取個(gè)人信息,從事戶籍買賣的拓也(北村匠海 飾)和守(林裕太 飾),自幼在惡劣環(huán)境中長大,不知不覺已成為黑道組織的爪牙。 盡管涉足灰色產(chǎn)業(yè),這兩個(gè)時(shí)常插科打諢的年輕人,本質(zhì)上只是普通的都市青年,彼此相依為命。當(dāng)拓也在黑道引路人、猶如兄長般存在的梶谷(綾野剛 飾)的協(xié)助下,決心與守一同逃離這個(gè)黑暗世界時(shí),等待他們的卻是......
重返寂靜嶺
杰瑞米·艾文,漢娜·艾米莉·安德森,艾維·坦普爾頓,羅伯特·斯特蘭奇,皮爾斯·伊根,尼科拉·亞歷克西斯,伊芙·麥凱林,朱莉婭·佩拉加蒂,埃米莉·卡丁,瑪?shù)倌取だ聿槠?霍華德·薩德勒,馬迪奧·帕斯奎尼,梅麗莎·格雷厄姆,勞拉·杜魯,卡莉亞·杜魯,斯拉維薩·伊萬諾維奇,阿拉娜·瑪麗亞,塔瑪拉·里斯托斯卡,賈斯珀·沙龍,桑迪·E·斯科特在愛人神秘信件的召喚下,詹姆斯(杰瑞米·艾文 飾)重新回到了充滿著秘密和詭譎的寂靜嶺。但當(dāng)他踏入這座小鎮(zhèn)的那一刻卻開始了無盡極限逃生模式:永不停歇的防空警報(bào)撕裂耳膜,漫天余燼籠罩大地,熟悉的街道扭曲成噬人的迷宮,三角屠夫、無臉血腥護(hù)士、未知詭異生物無處不在,步步緊逼?,F(xiàn)實(shí)與幻象在寂靜嶺徹底崩塌,詹姆斯一邊躲避致命追殺,一邊試圖用破碎的記憶拼湊出真相。
咸魚翻生
洪金寶,午馬,麥嘉,石天,林正英,鐘發(fā),曾志偉,劉雅麗俠盜“一枝花”專劫富濟(jì)貧故為人欽佩,卻因正義感得罪了一名蛇蝎美人,該女子名叫“仇女”雖嫁與一土豪“孤寒財(cái)主”為妾但始終不忘被“一枝花”所辱,誓必要將“一枝花”置于死地。“一枝花”浪跡江湖,但“仇女”并未因而放過他,反而更誣造許多盜竊案令官方大舉追緝之。其時(shí)江湖上出現(xiàn)兩個(gè)小人物,一肥一瘦,肥名“脹爆”為人憨直,因仰慕“一枝花”而喜扮大俠,瘦名“扭紋柴”常自作聰明經(jīng)常撞板,喜占小便宜,為了官方之花紅到處找尋“一枝花”,而偶遇上“脹爆”后來反成莫逆之交,兩人更結(jié)伴一同尋找“一枝花”……