劇情簡介
一家私人廣告公司的負(fù)責(zé)人,蘇珊,成為癡迷多米尼克,一個想成為明星,她無法克服與她相當(dāng)?shù)男憎攘?。兩個搞了一系列的勝人一籌的游戲,看看誰是性的勝利者。
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重慶森林
林青霞,金城武,梁朝偉,王菲,周嘉玲編號為223的警察(金城武)失戀后患上失戀綜合癥,在與金發(fā)女殺手(林青霞)擦肩而過又離奇相遇并有了一晚溫情后,原本以為包括“愛情”在內(nèi)的所有東西都有保質(zhì)期的他意外地迎來心靈的短暫溫暖??墒?,他們的愛情還是結(jié)束了??觳偷晷聛淼呐写⒎疲ㄍ醴疲凵狭藭r常光顧快餐店的編號 為663的警察(梁朝偉),因拆了他的女友(周嘉玲)留在快餐店給他的“分手” 信,阿菲知曉了他的心情,偷拿到他的鑰匙趁他不在時常潛入他家,一邊夢游一邊悄悄地改變他的生活,終在被他撞見時令其感受到情感的回歸。然而,這才是他們愛情的開始。
謊言的島嶼
內(nèi)瑞雅·巴德洛斯,達(dá)里奧·格蘭迪內(nèi)蒂,埃托爾·盧納,Victoria Teijeiro,Ana Oca,米洛·塔波阿達(dá),Leire Berrocal,Miguel Borines,賽爾索·布加諾,Mela Casal,María Costas,Roberto Leal,Sergio Quintana,Machi Salgado,Ana Santos故事發(fā)生在1921年的西班牙,一艘蒸汽船載著260名西班牙移民駛往美國,他們滿心期待在那里能夠開始他們嶄新的人生。不幸的人,一場船難襲擊了這群追夢者,他們所乘坐的蒸汽船載西班牙加利西亞海岸附近的一座小島旁沉沒了。幸運的是,島上生活的三個女人發(fā)現(xiàn)了這批遇難者,她們熱情的給予了幫助,最終,50名乘客得到了救助,保住了性命,這三個女人也因此名聲遠(yuǎn)揚,被視為英雄?! ∫幻⒏⒂浾呗動崄淼搅诉@座小島,想要將這件事情寫成報道,可是,隨著他調(diào)查的深入,記者發(fā)現(xiàn)很多事情都和他所聽說的不符,不僅如此,他還開始懷疑,或許蒸汽船的沉沒從一開始就不是一場意外。
黑羊
克里斯·法利,David Spade,Tim MathesonAl(提姆·麥錫森 Tim Matheson 飾)是個十分被看好的州長候選人,很怕因為他的笨蛋老弟Mike(克里斯·法雷 Chris Farley 飾)蒙羞,于是雇了Steve(大衛(wèi)·斯佩德 David Spade 飾)來看管Mike以免他出什么亂子,從這一刻起就狀況百出、 笑料不斷。 全片就像是一個喜劇大雜燴,讓您捧腹大笑,跌破眼鏡。
牯嶺街少年殺人事件
張震,楊靜怡,張國柱,王啟贊,林鴻銘,金燕玲,王琄,張翰,姜秀瓊,賴梵耘,柯宇綸,譚志剛,馮國強,陳湘琪,金士杰結(jié)識小明(楊靜怡)前,小四(張震)是典型的乖仔,是父母的希望和兄妹的驕傲(一家人指望他考上名牌大學(xué)將來提升全家的社會地位),他有一個喜歡搖滾樂的自稱“小貓王(王啟贊)”的好友,兩人雖會去樹林看人幽會,但過的是與周圍諸多在“小公園”混的少年人完全兩樣的生活?! ∠矚g上小明后 ,小四便像跌進(jìn)一個無底深淵,開始被外界的各種力量牽著鼻子走。新識仰慕對象honey(林鴻銘)意外身亡,一向敬重的父親的自尊與精神因為某次事件嚴(yán)重受損,加上將一次次“欺騙玩弄”他感情的小明“看透”,血氣方剛又有很強道德感的小四終于走上犯罪的道路,期望用自己的刀結(jié)束事件的根源。但小四不知的是,他眼中的根源只是這條食物鏈中微不足道的一環(huán)。
科學(xué)怪人的怪獸 山達(dá)對蓋拉
ラス?タンブリン,睦五郎,佐原健二,水野久美「フランケンシュタイン対地底怪獣」の姉妹編。クローン生物のフランケンシュタインが、より怪獣的になり、分裂によって山の怪獣サンダと海の怪獣ガイラの2體に分かれる。心優(yōu)しい兄のサンダと人間を食う兇暴な弟のガイラが、骨肉相食む死闘を演じる。2匹の死闘は都市を中心に展開され、従來脇役に徹してきた自衛(wèi)隊が、今回は生命の細(xì)胞までも焼きつくす殺人光線兵器?メーサー光線砲戦車を登場させ、互角の闘いを演じる。この日?米合作によるフランケンシュタイン2部作は、當(dāng)時の怪獣ブームから、人間不在の怪獣トーナメント化した怪獣映畫に一石を投じたが、本流にはならなかった。
致命玩笑2
凱拉(勞拉·喬丹 Laura Jordan 飾)、梅麗莎(尼姬·??怂?Nicki Aycox 飾)、鮑比(尼克·扎諾 Nick Zano 飾)和尼克(凱爾·施密德 Kyle Schmid 飾)等四個年輕人正驅(qū)車前往拉斯維加斯,準(zhǔn)備參加那里舉行的聚會。他們的車載半路拋錨,四人尋求幫助時在荒野找到一座空無一人的房子,繼而在倉庫里找到一輛跑車。經(jīng)過一番討論,他們決定留下聯(lián)系方式,暫時把車開走,并負(fù)責(zé)賠償車主的損失。 然而他們的想法過于天真,這輛汽車的主人正是恐怖的銹釘(馬克·吉本 Mark Gibbon 飾),凱拉等人破門而入和偷走汽車的行為徹底惹惱了他,銹釘?shù)寞偪襻鳙C也隨即展開。凱拉等人命懸一線…
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.