面紗下的那不勒斯 Napoli velata

★ 9.2 播放：53萬 更新：2026-05-05

那不勒斯，是充滿著魔術(shù)與迷信、瘋狂與理性的城市。驗(yàn)尸官阿迪安娜，邂逅英俊小生安德烈，干柴烈火，多年的禁忌，意大利人骨子里的風(fēng)騷勁，一瀉千里……兩天后，出現(xiàn)在解剖臺上的卻是熟悉而又陌生的身形……

在線播放

劇情簡介

那不勒斯，是充滿著魔術(shù)與迷信、瘋狂與理性的城市。驗(yàn)尸官阿迪安娜，邂逅英俊小生安德烈，干柴烈火，多年的禁忌，意大利人骨子里的風(fēng)騷勁，一瀉千里……兩天后，出現(xiàn)在解剖臺上的卻是熟悉而又陌生的身形……

導(dǎo)演精選

奇跡夢之隊

 夢想成為職業(yè)球手的小山羊威爾，雖然天生身材矮小，卻憑借超凡球技闖入夢寐以求的球隊。然而本以為是夢想起點(diǎn)，沒想到卻是“地獄開局”，這支夢中情隊不僅賽績成績堪憂，隊友還個個都是“人才”。面對來自隊友的質(zhì)疑與對手的嘲諷，他能否用自己的意志點(diǎn)燃球隊，帶領(lǐng)這支落魄之師創(chuàng)造新的奇跡？

情報2025

　　Korea’s most intimidating actor, Heo Sung-tae (Squid Game), stars as Detective Oh Nam-hyuk—a well-meaning but spectacularly inept cop clinging to his badge by a thread. When a botched sting operation lands him in over his head, he’s forced into an unlikely partnership with Tae-bong (Jo Bok-rae), a razor-sharp informant whose cover (and savings) are blown by Nam-hyuk’s bumbling. With a smuggling ring to bust, a fortune to recover, and zero trust between them, the mismatched duo must navigate double-crosses, blown covers, spectacularly stupid raids, and bruised egos.

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster