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一切為了幸福
馬努·佩埃特,奧黛麗·拉米,奧雷·阿蒂卡,帕斯卡·德莫隆,布魯諾·克萊勒豐,喬·貝爾,拉法樂·杰布拉,凡妮莎·吉德,賈婭·卡爾塔吉羅內(nèi),安東尼·德科內(nèi),蘇菲?卡達(dá)尼,亞力克西斯·馬沙利克變鬼2
Laila Boonyasak,Phan Rojanarangsri,Pitchanart Sakakorn我的阿米什人雙重生活
萊克西·邁恩特里,萊薩·威爾遜,Rachel Coopes智勇三寶
許冠文,吳耀漢,陳百祥,岑建勛,陳國新,葉榮祖,午馬,林國斌,葉德嫻,胡因夢,陳欣健七個以下
方·基默,文·瑞姆斯,魯克·高斯鬼滴語3
納得克·庫吉米亞,蘭達(dá)娜瓦迪·望同,潔莉爾查·卡本,卡杰布泓迪緹特·珈迪,佩拉克里特·帕查拉布納亞基特同類推薦
冷光中
麥卡·夢露,艾倫·霍科,特洛伊·科特蘇爾,杰西·厄文,海倫·亨特,帕特里克·薩邦圭,戴維·哈索姆,瓦羅娜·塞茨瓦埃洛,諾亞·帕克,Jessica Abruzzese,Geena Meszaros,特雷西·麥克馬洪,Yannick Lemos,Steven Miller,Barry Tuff,奧斯汀·范德坎普,Margaux Vaillancourt,Jonathan Klotz,Don Bland,Rachelle Glait出獄后的艾娃試圖重新開始,卻被哥哥卷回毒品交易。警方設(shè)局致哥哥身亡,她再度逃亡。好友遇害、父親背叛、親情撕裂下,艾娃鋌而走險,與毒梟交易并清除叛徒,最終再次入獄。
一個星期三的下午
Anupam Kher,Naseeruddin Shah一名男子打電話給孟買警方并告訴他們,他已經(jīng)把5個不同的炸彈安置在城市之內(nèi),并已經(jīng)設(shè)定在同一時間爆炸-他希望以此交換4名恐怖分子。他是否能換回他們?背后的黑手是誰?動機(jī)又是什么呢?是否不是表面上看起來那么簡單呢?
燭影危林
卡羅琳·麥柯米克,喬爾·托貝克,里?!ね邆惗?/span>A blended family from the city buys a house sight unseen in an isolated backwoods hamlet. Things get rocky when the locals aren't as welcoming as expected and a dangerous urban legend turns out to be true. In their struggle to put down roots, they find their sanctuary in peril-and their lives threatened-by the land's haunted past.
誤殺2019
肖央,譚卓,陳沖,姜皓文,秦沛,邊天揚(yáng),許文姍,張熙然,施名帥,黃健瑋,陳志朋,葉瀏,谷洋,張林李維杰(肖央 飾)與妻子阿玉(譚卓 飾)來泰打拼17年,膝下育有兩個女兒,年屆四十的他靠開設(shè)網(wǎng)絡(luò)公司為生,為人也頗得小鎮(zhèn)居民的好感,而這一切美好卻被突如其來的不速之客打破。這個充斥走私,販毒活動的邊陲小鎮(zhèn),各種權(quán)力交織碾壓公平正義。李維杰的大女兒平平(許文珊 飾)被督察長拉韞(陳沖 飾)的兒子素察(邊天揚(yáng) 飾)迷奸,因反抗誤殺對方。李維杰曾親眼目睹督察長濫用私刑,深知法律無用,為了維護(hù)女兒,捍衛(wèi)家人,李維杰埋尸掩蓋一切證據(jù),在時間與空間的交錯縫隙中,與警方在身心層面,展開了殊死一搏的較量。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster