嗜血欲女

0.8 播放：52萬 更新：2026-05-01

「ぼくが処刑される未來」を手がけた監(jiān)督の小中和哉と、「ほんとにあった怖い話」などで知られる腳本家?小中千昭の兄弟がタッグを組んで送り出したダークファンタジー。父親から虐待を受け続け、生きる希望を失い、失意の中にあった女子高生?美以那の前に、謎の美女?苓が現(xiàn)れる。苓は「ヘマトフィリア（血液耽溺者）」を自稱し、生きるに値しない男たちを殺し、その血をすすっていた。すっかり傷ついていた美以那は、苓に導(dǎo)かれて少女から大人へと成長していく。そんな苓と美以那に、美しきバンパイアの影が忍び寄る。苓役を「ぼくが処刑される未來」の中丸シオン、美以那役を「西の魔女が死んだ」の高橋真悠がそれぞれ演じ、初めてのヌードやラブシーンにも挑戦した。

即刻觀影

劇情賞析

「ぼくが処刑される未來」を手がけた監(jiān)督の小中和哉と、「ほんとにあった怖い話」などで知られる腳本家?小中千昭の兄弟がタッグを組んで送り出したダークファンタジー。父親から虐待を受け続け、生きる希望を失い、失意の中にあった女子高生?美以那の前に、謎の美女?苓が現(xiàn)れる。苓は「ヘマトフィリア（血液耽溺者）」を自稱し、生きるに値しない男たちを殺し、その血をすすっていた。すっかり傷ついていた美以那は、苓に導(dǎo)かれて少女から大人へと成長していく。そんな苓と美以那に、美しきバンパイアの影が忍び寄る。苓役を「ぼくが処刑される未來」の中丸シオン、美以那役を「西の魔女が死んだ」の高橋真悠がそれぞれ演じ、初めてのヌードやラブシーンにも挑戦した。

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潛艦情緣

何塞·加西亞,皮奧·馬麥,伊爾·哈達(dá)拉

她是一名戰(zhàn)術(shù)潛艇軍官。他是管家。在潛水90天之前，她選擇了“四個小時”。但它就在這里！誰跟著她！誰粘的！如果747機(jī)組人員以浪漫為榮，我們會去哪里？就像我們有時間在軍事建筑上戀愛一樣！然而，太平洋還不夠大。北冰洋也沒有。當(dāng)你用如此偉大的愛彼此相愛時，世界是如此渺小。。。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

AI 愛上你

平采娜·樂維瑟派布恩,馬里奧·毛瑞爾,薩哈賈克·波斯安吉特,大衛(wèi)·阿薩瓦納德,Watthanachai Treedecha,Thaweesak Thananan,Kenneth Won,Michael S. New,James Laver,Ladapa Ratchataamonchot,Chris Wegoda,Fuang R. Puttarangsi,Manita Chobchuen,Siri Tveter,Hassaya Isariyasereekul

　　一個故障百出的 AI 機(jī)械人正面臨被淘汰的命運(yùn)，卻因愛上一個女人而躲進(jìn)一個男人的血肉之軀，用盡千方百計奪取芳心。

毛骨悚然撞鬼經(jīng) 2025夏季特別篇

小栗旬,上野樹里,岡田將生,佐藤健,綾瀨遙,石原里美,出口夏希

　　放送作品　　黃泉の森（2004年）　　行きずりの紊亂者（2004年）　　右肩の女（2012年）　　顔の道」2009年）　　怨みの代償（2009年）　　S銅山の女（2014年）　　或る訳ありの部屋（2025年）

恐怖故事3：火星來的少女

任瑟雍,景收真,樸正民,洪恩熙

　　由連續(xù)并相互構(gòu)陷的恐怖元素和花絮構(gòu)成。此次《恐怖故事3》跨越時間將故事呈現(xiàn)，“過去”設(shè)置在恐怖故事“狐貍窟”，“現(xiàn)在”聚焦在路怒癥Road Rage，“未來”段落圍繞人工智能“機(jī)械力”。向觀眾展現(xiàn)不同的元素，釋放不同恐怖刺激時本片的內(nèi)容和目標(biāo)。

嘔吐戈爾：殺戮

本片是關(guān)于一個被自己的父母拋棄的女孩的故事，14歲就離家出走的她，被當(dāng)?shù)氐囊粋€牧師收養(yǎng)了。后來，她所遇到的人，將會給她本來就很悲慘的命運(yùn)帶來怎樣的影響呢？對于安吉拉.阿卜迪恩來講，為了她，他寧愿犧牲自己也要與撒旦達(dá)成死亡契約，這樣就可以讓她靈魂永生，為了報仇，她先去把那牧師的教堂燒成了焦土，而牧師因?yàn)楹榷嗔硕涝诹私烫美铩？墒呛髞?，她卻在都市的燈紅酒綠中染上了毒癮和酒癮，殊不知，她的腳已經(jīng)邁入了地獄之門…從做了艷舞女郎到做妓女，發(fā)現(xiàn)毒癮已讓她無法自拔，甚至他覺得撒旦也拋棄了她 。