女強(qiáng)盜

? 1.2 播放：20萬 2026-04-29

The Wicked Lady (1983)片子還不錯(cuò)，有點(diǎn)女佐羅風(fēng)流記的感覺，英國十七世紀(jì)。芭芭拉竊取他們的獲獎(jiǎng)婚禮前夕她最好的朋友的未婚夫。不久，她的生活無聊家庭主婦屋，她開始從事攔路搶劫。于是背叛了她的情人，一夜搶劫的合伙人或合伙人，并且做了很多其他的搞鬼... 　　

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劇情提要

The Wicked Lady (1983)片子還不錯(cuò)，有點(diǎn)女佐羅風(fēng)流記的感覺，英國十七世紀(jì)。芭芭拉竊取他們的獲獎(jiǎng)婚禮前夕她最好的朋友的未婚夫。不久，她的生活無聊家庭主婦屋，她開始從事攔路搶劫。于是背叛了她的情人，一夜搶劫的合伙人或合伙人，并且做了很多其他的搞鬼... 　　

幕后花絮

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

毛骨悚然撞鬼經(jīng) 2020秋季特別篇

　　本集收錄新作《造了不開啟的房間》《有內(nèi)情的KTV》及過去二十年名作選《交出手臂》《身后的女人》《深夜的鏡像》《懸崖下》《書本招來的幽靈》《出租車司機(jī)的經(jīng)歷》《多出一人的電梯》《顏之道》。