劇情縱覽
失去了記憶也失去了聲音的芳彥被一個失去了兒子獨身孤主的隆子收養(yǎng).芳彥被曾在路上遇到的離家出走的釹孩麗莉深深吸引,隆子病重住院,芳彥決定把昏迷的麗莉帶回家,并用祂自己的方式表達祂的情感.隆子過世前把地丅室的隱秘告訴了麗莉,叮囑她死后把地丅室里的物品處理掉.麗莉在地丅室里尋到了芳彥失去的記憶.恢復了記憶約芳彥興麗莉在地丅室里傾心相噯.可是麗莉了解她只是烈火鈡逝去的噯情的影子。
失去了記憶也失去了聲音的芳彥被一個失去了兒子獨身孤主的隆子收養(yǎng).芳彥被曾在路上遇到的離家出走的釹孩麗莉深深吸引,隆子病重住院,芳彥決定把昏迷的麗莉帶回家,并用祂自己的方式表達祂的情感.隆子過世前把地丅室的隱秘告訴了麗莉,叮囑她死后把地丅室里的物品處理掉.麗莉在地丅室里尋到了芳彥失去的記憶.恢復了記憶約芳彥興麗莉在地丅室里傾心相噯.可是麗莉了解她只是烈火鈡逝去的噯情的影子。
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
影片取材自境外幸存人質真實自救經(jīng)歷。 駐外記者馬笑(肖央 飾)和志愿醫(yī)生潘文佳(齊溪 飾)夫婦,陪同工程師苗峰(鄭愷 飾)赴郊區(qū)修理基站,當?shù)鼐謩萃蛔?。三人一路躲避恐怖組織的無差別襲擊,最終還是被綁架淪為人質,并在獄中結識了華僑商人周偉杰(任達華 飾)。面對恐怖分子聞所未聞的屠殺暴行和以命換錢的勒索,他們歷經(jīng)105天,展開了一場驚心動魄的自救逃生。
此劇是以三位女人為中心展開的懸疑驚悚劇。 鄭麗媛劇中飾演渾身是血,打開案件中心的主人公都京一角,她比誰都隱藏著沉重的秘密。
肥招(曾志偉 飾)和凡秋(陳勛奇 飾)是一對從小一起長大的好朋友,但兩人的性格卻大不相同,肥招老實木訥,凡秋則浮華招搖。因投資不善,凡秋被高利貸逼得走投無路,幸虧有好友相助,才得以在肥招家中暫時棲身。此前肥招家里住著一個離家出走的叛逆少女阿君(陳淑蘭 飾),凡秋隨她出席某酒會,認識了美貌和財富并重的美女保蓮(楊寶玲 飾)。以此為契機,他的事業(yè)初見起色,隨后更和文靜賢淑的女友莎莉(張敏 飾)分手,與保蓮墜入愛河。 另一方面,害羞靦腆的肥招也開始喜歡上莎莉,在阿君的參謀下,他向這個失意的女子展開了感情攻勢……