縱欲聊齋

　　本作由井上剛擔(dān)任導(dǎo)演，與NHK四月播出的劇集《地震之后》共享故事框架，同時(shí)新增場(chǎng)景重新剪輯而成。該片基于村上春樹短篇小說集《神的孩子全跳舞》中四則短篇，講述關(guān)于喪失與重生的故事。描繪1995年阪神淡路大地震后，四個(gè)在不同時(shí)代與地域背負(fù)孤獨(dú)生存之人的命運(yùn)交織，最終與當(dāng)下產(chǎn)生聯(lián)結(jié)的歷程。

　　Anna is stuck: she's approaching 30, living like a hermit in her mum's garden shed and wondering why the suffragettes ever bothered. She spends her days making videos using her thumbs as actors - thumbs that bicker about things like whether Yogi Bear is a moral or existential nihilist. But Anna doesn't show these videos to anyone and no one knows what they are for. A week before her birthday her Mum serves her an ultimatum - she needs to move out of the shed, get a haircut that doesn't put her gender in question and stop dressing like a homeless teenager. Naturally, Anna tells her Mum to "back the f-off". However, when her school friend comes to visit, Anna's self-imposed isolation becomes impossible to maintain. Soon she is entangled with a troubled eight year old boy obsessed with Westerns, and the local estate agent whose awkward interpersonal skills continually undermine his attempts to seduce her.

莉迪婭從小在父親的暴力陰影下長(zhǎng)大，游泳是她唯一的逃避方式。她憑借獎(jiǎng)學(xué)金進(jìn)入大學(xué)，卻在成年后陷入毒癮、混亂的性關(guān)系和失去孩子的痛苦中。她的人生如同水流，時(shí)而湍急、時(shí)而沉寂，無法掌控方向。在最深的低谷中，莉迪婭開始寫作。文字成為她的呼吸，也成為她重新定義自己的方式。她不再只是受害者，而是講述者，是創(chuàng)造者。通過回望過去，她一點(diǎn)點(diǎn)拼湊出破碎的自我，也在寫作中找到了勇氣。 　　影片改編自莉迪亞·尤克納維奇所著回憶錄。

 A cataclysmic event serves as the backdrop for a passionate affair between two individuals torn between desire and the constraints of their circumstances.