儀式:我?guī)湍愠蔀槟腥?/h1>
評分:5.6 播放:34萬 更新:2026-04-29
主演: Showa Sanson Yobaimura 

在日本一個小山村里,有一個古老的習俗,凡是村里的寡婦,必須教成年的男生做ai,并且跟他們勤加練習,幫助男生蛻變?yōu)槟腥耍齻€村里的男人,都各自看中了喜歡的寡婦,并在夜里進入各自家中,可以肆意玩弄寡婦,寡婦還不得拒絕,甚至其中有一個寡婦,男人才剛死不久,這個男生給男人上完一炷香,在男人的遺像前,就打起了如何玩弄寡婦肉體的主意...

劇情簡介

在日本一個小山村里,有一個古老的習俗,凡是村里的寡婦,必須教成年的男生做ai,并且跟他們勤加練習,幫助男生蛻變?yōu)槟腥?,而三個村里的男人,都各自看中了喜歡的寡婦,并在夜里進入各自家中,可以肆意玩弄寡婦,寡婦還不得拒絕,甚至其中有一個寡婦,男人才剛死不久,這個男生給男人上完一炷香,在男人的遺像前,就打起了如何玩弄寡婦肉體的主意...

為你推薦

羅伯特玩偶的復仇

Lee Bane,Harriet Rees,Judith Haley

  在納粹德國,玩具制造商擁有一本神秘的書籍,賦予無生命的生命。在躲過希特勒命令取回書的黨衛(wèi)軍之后,這位玩具商登上了一列火車企圖逃離該國。認為他很清楚,玩具制造商很快就發(fā)現(xiàn),一批高級納粹軍官也加入進來。最終,他的秘密被揭露出來,納粹關(guān)閉。但是,玩具制造商已經(jīng)使用這個神奇的東西來帶來一個名叫羅伯特的復古娃娃來生活 - 而羅伯特將毫無阻礙地保護他的主人。所以,當玩具制造商和殺手娃娃拿起納粹時,就開始了一場血腥的戰(zhàn)斗。這是對死亡的一場戰(zhàn)斗,只有勝利者才會在下一站下車。

豬豬俠·一只老豬的逆襲

陸雙,山新,唐嶷,陳思宇,徐經(jīng)緯,任景行, 周健

  過氣頂流也有逆襲夢!曾經(jīng)的男神豬豬爆竟淪落到以送外賣為生?!一次偶然之下,他獲得了擔任電影男主的機會,但這個劇組并不“簡單”,為豬豬爆的男主之路埋下重重關(guān)卡。面對N重考驗,他能否逆襲成功?

恐影檔案

Thomas Dekker,Robert Englund,Fiona Dourif

  A doctor works to cure patients suffering from crippling phobias by placing them inside his invention which induces and controls hallucinations. 

逃離地下天堂

麥克爾·約克,理查德·喬丹,珍妮·艾加特,羅斯科·李·布朗尼,費拉·福賽特,小邁克爾·安德森,彼得·烏斯蒂諾夫,Randolph Roberts,Lara Lindsay,Gary Morgan,勞拉·海佩

 西元2274年人類居住在由電腦控制的城市中,在這個城市中無優(yōu)無慮,可自由毫無拘束的追求享樂;但到30歲時每一個人必須接受考驗,一個探究永恒、重生的試煉……

平安夜,殺人夜

羅漢·坎貝爾,露比·莫迪恩,馬克·艾奇遜,沙龍·巴杰,大衛(wèi)·勞倫斯·布朗,埃里克·阿塔瓦爾,托米·雷梅爾,大衛(wèi)·湯姆林森,伊莎·薇洛特,Rick Skene,Tom Young,馬德琳·考克斯,Yan Joseph,Richard Patrick Tolton II,Lam An,Jasmine Wallace,弗雷德里克·艾倫,Logan Sawyer,Julien Neault-Lount,安德烈婭·格里寧

  Cineverse制作新版《平安夜,殺人夜》,計劃于2025年底上院線。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

自殺俱樂部2001

石橋凌 , 永瀨正敏 , 寶生舞 , 佐藤珠緒 , 野村孝 , 羅利寺西 , Joshua , 辻岡正人 , K?suke Hamamoto , Kei Nagase , 嘉門洋子 , Maiko Mori , Sayako Hagiwara , 金子貴俊 , Mika Miyakawa

 夜色沉沉的東京新宿站,勞碌一天的人們依舊行色匆匆,仿佛從不知停歇的工蜂。然而卻有一群正處在青春期的女孩綻放著無憂無慮的笑容。她們身穿著不同款式的校服,似乎早已約好一般同時來到這里,女孩們在月臺前一字排開,手拉手齊齊跳向飛馳而來的列車。一時間血光四濺,54個鮮活的生命瞬間消失。 這一事件轟動全國,與此同時類似集體自殺的事件愈演愈烈,甚至連調(diào)查此案的警官黑田敏春(石橋凌 飾)及其家人也受到波及。黑田的搭檔涉澤健次(永瀬正敏 飾)通過不懈的調(diào)查,發(fā)現(xiàn)一連串的自殺事件都和一個名為“自殺俱樂部”的網(wǎng)站有關(guān)。事件的真相究竟如何?慘劇最終能否終止?