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鉆石般的她
路易莎·拉涅瑞,杰絲敏·特麗卡,斯特凡諾·阿科爾西,盧卡·巴爾巴羅薩,薩拉·博西,洛雷達納·卡納塔,杰皮·庫奇阿里,安娜·費澤蒂,奧羅拉·喬維納佐,妮可·吉瑪多,米萊娜·曼奇尼,維尼喬·馬爾基奧尼,葆拉·米納喬尼,愛多阿多·普爾加托里,卡爾米內·雷卡諾,艾萊娜·索菲亞·里奇,盧妮塔·薩維諾,凡妮莎·斯卡萊拉,卡拉·西格諾里斯,卡夏·斯穆特尼亞克「人可生如蟻而美如神」：一班裁制亮麗戲服的中年裁縫慨嘆自己生如蟻，一名奧斯卡導演拍出她們美如神的生命。導演邀約一眾他熱愛的演員，重塑一家高級裁縫工作室色彩斑斕、五味集陳的過往，追憶70年代一班堅毅溫柔的女裁縫的故事：表面盛勢凌人卻細膩體貼的老板、善良卻抑郁的妹妹拍檔、單純的寡婦和她的小兒子、偏愛小鮮肉的姨姨、被家暴的妻子、昔日美艷的舞者、逃避通緝的少女??一群日常女子拋開小我、互相照顧，照亮平凡生活中超越自我的不平凡，展現她們的獨立、愛欲、掙扎和力量。意大利金像獎觀眾人次最高獎意大利銀絲帶獎年度電影
7號房的禮物
柳承龍,樸信惠,鄭鎮(zhèn)榮,金正泰,吳達洙,樸元尚,鄭滿植,葛素媛1997年，只有6歲兒童智商的智障男子李龍久（柳成龍 飾）和可愛的女兒藝勝（葛素媛 飾）相依為命，生活雖然簡單清貧，卻充滿幸福。某天，執(zhí)著為女兒買美少女戰(zhàn)士書包的龍久意外卷入一起幼童誘拐奸殺案，而死者竟是警察局長的女兒。龍久懵懂無知，搞不清狀況，昏頭昏腦就被投入監(jiān)獄。在7號牢房中，聚集著走私犯蘇楊浩（吳達洙 飾）、詐騙犯崔春浩（樸元尚 飾）、通奸犯姜萬范（金正泰 飾）、恐嚇犯老徐（金基燦 飾）和搶劫犯申奉植（鄭萬植 飾）等五毒俱全的“社會渣滓”。龍久孩子般純潔的心漸漸感動了這幾個“大壞蛋”，他們甚至不惜冒險將藝勝帶入牢房與父親相會。黑暗冰冷的監(jiān)牢內，7號牢房陽光滿滿……
毛骨悚然撞鬼經 2006夏季特別篇
伊藤淳史,夏川純,堀北真希,桐谷美玲,高島政伸,溫水洋一,釋由美子,巖佐真悠子,大島美幸,村上知子,平岡祐太,柴田理惠《在斷崖下》：青年蒲岡大輝（伊藤淳史 飾）將車停在懸崖旁和女友幽會，突然一股神秘的力量將汽車推向懸崖；《6號房間》：女高中生久保有紗（堀北真希 飾）和長澤美奈子等朋友去唱卡拉OK，自從她們使用過詭異的6號房間后，美奈子就變得分外怪異；《不可思議的時間》：為了趕上即將進行的世界杯比賽轉播，小職員白石大吾（平岡祐太 飾）匆匆搭上一輛計程車，卻在很短的時間內經歷了一段漫長的旅程；《四疊半的貴婦人》：森三中的大島美幸買到一只精致的茶杯，隨茶杯一同來到她家的還有一個身穿洋裝的貴婦人；《體驗者》：市場調研人員今泉誠一（高島政伸 飾）在某超市調查期間，發(fā)現店員似乎正被某個看不見的女人所侵擾；《病棟的絨毛玩具》：某所醫(yī)院有一只泰迪熊毛絨玩具，所有把玩它的老人都回去世。
四重唱
瑪吉·史密斯,湯姆·康特奈,比利·康諾利,保利娜·科林斯,邁克爾·剛本,謝里丹·史密斯,安德魯·薩克斯,格溫妮絲·瓊斯,特雷弗·皮科克,大衛(wèi)·萊爾,邁克爾·伯恩,羅尼·?？怂?帕特里夏·洛夫蘭德,伊琳·珀威爾,盧克·紐伯里故事發(fā)生在一間專門面向歌劇退休演員開放的養(yǎng)老院里，維爾福（比利·康諾利 Billy Connolly 飾）、雷吉（湯姆·康特奈 Tom Courtenay 飾）和茜茜（寶林·科林斯 Pauline Collins 飾）是那里的明星居民。每一年，這三個出色的演唱者都會通過他們的三重唱向社會募集資金，用以維持養(yǎng)老院的運作。雖然養(yǎng)老院的規(guī)模不大，但每一個老人都能在那里找到快樂和安寧?！ 『啠ì敿な访芩?Maggie Smith 飾）的出現打破了眾人寧靜的生活，這個高傲又好斗的女人是歌劇界名聲大噪的歌唱家，同時，她還是雷吉的前妻。受生活所迫，簡不得已住進了這間養(yǎng)老院，前夫雷吉的存在更是讓她心中憤憤不平。由于簡的加入，三重唱變成了四重唱，但排練的效果并沒有因為一個得力唱匠的加入而有所提高，麻煩和爭執(zhí)接踵而至。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
電影版淘氣小企鵝啵樂樂甜蜜城堡大冒險
Su Jung Ham,Lee Sun-kyun,李美子...
奉魔之名
索菲·瓦瓦塞爾,史蒂芬·比靈頓,Richard Felix,喬·安妮·斯托克漢姆,Lazzaro E. Oertli Ortiz,Isamaya Ffrench,托米·巴斯托,Emma Reynolds,道格·布拉德利,Brendan Price,Clàudia Costas,Cristina Cervià,Francesc Ten,Joan Roca,Pere Raich正值青春期的少女艾瑪（蘇菲·瓦瓦希爾 Sophie Vavasseur 飾）因小事與父母發(fā)生爭吵，繼而用玻璃碎片割破自己的手掌。在此之后，父母子女的關系雖有所松動，但是新的危機已悄悄展開。艾瑪是不是會做出些奇怪的舉止，這令父母異常擔心，于是只得將艾瑪留在家中接受教育。期間他們嘗試帶女兒去看具有催眠本領的心理醫(yī)生，誰知醫(yī)生最終猝死艾瑪的膝上。艾瑪自感自己已被魔鬼附體，因此不顧崇尚科學的父母的反對，執(zhí)意求助于因驅魔失敗而被革除神職的舅舅基斯（道·布萊德利 Doug Bradley 飾）?！ 』顾坪鯘u漸證實了艾瑪的猜測，而她體內那股邪惡的力量也變得越來越強大……