午夜叫聲

★ 0.5 播放：95萬 更新：2026-05-01

茱茵、雅惠為一 苦情姊妹，自幼父母離異，雅惠稍長大為人所騙，捨棄幼小的茱茵而赴日本賣春。他日，雅惠回國后，奈何茱茵不愿接受其姊妹幫忙，終日與混混男友馬魁為伍，雅惠不忍其妹自毀前程，便重金賄賂經(jīng)紀(jì)人發(fā)掘茱茵并送至日本栽培而成明星。孰知茱茵回國參與首映典禮之日即遭昔日男友馬魁以破壞其形象為由加以恐嚇、勒索。雅惠得知后為維護(hù)茱茵形象而殺害馬魁，并買通張彪為其頂罪，事后張彪亦以此勒索、強(qiáng)暴雅惠，雅惠不甘其辱錯手殺死張彪，致使案情複雜，幸煒明冷靜分析而識破并逮捕雅惠歸案。 　　

在線播放

劇情簡介

茱茵、雅惠為一 苦情姊妹，自幼父母離異，雅惠稍長大為人所騙，捨棄幼小的茱茵而赴日本賣春。他日，雅惠回國后，奈何茱茵不愿接受其姊妹幫忙，終日與混混男友馬魁為伍，雅惠不忍其妹自毀前程，便重金賄賂經(jīng)紀(jì)人發(fā)掘茱茵并送至日本栽培而成明星。孰知茱茵回國參與首映典禮之日即遭昔日男友馬魁以破壞其形象為由加以恐嚇、勒索。雅惠得知后為維護(hù)茱茵形象而殺害馬魁，并買通張彪為其頂罪，事后張彪亦以此勒索、強(qiáng)暴雅惠，雅惠不甘其辱錯手殺死張彪，致使案情複雜，幸煒明冷靜分析而識破并逮捕雅惠歸案。 　　

導(dǎo)演精選

惑星大戰(zhàn)爭

　　西暦1988年。人類は謎のUFO群の襲來により危機(jī)に瀕していた。人類の存亡をかけ、南海の秘密基地で建造されていた國連宇宙防衛(wèi)艦?轟天は発進(jìn)する。侵略者の正體は、太陽系から2萬2千光年離れたメシエ13と呼ばれる球狀星団?恒星ヨミの第三惑星人だった。彼らは年老いた母星そっくりの地球を征服すべく、指揮官ヘルのもとに金星に侵略の前線基地を築いていた。敵ヘルファイターとの激しい戦闘をくり返し、金星に向かう轟天。しかし、その前に敵の超努級戦艦?大魔艦が立ちふさがる……。

限時營救2025

　　Follows an ex-black ops team that reunites to pull off a desperate heist and save the life of an eight-year-old girl.

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster