影片推薦
阿爾菲1966
邁克爾·凱恩,謝利·溫特斯,米利塞特·馬丁,茱莉亞·福斯特,珍·愛舍,雪莉·安妮·菲爾德,維維恩·莫堅(jiān)特,伊蓮諾·布羅,丹霍姆·艾略特,阿爾菲·巴斯,格雷厄姆·斯塔克,穆雷·梅爾文,西德尼·塔夫勒素媛
薛景求,嚴(yán)志媛,李來(lái),金海淑,金相鎬,羅美蘭,楊真誠(chéng),權(quán)泰元音樂(lè)之聲
朱莉·安德魯斯,克里斯托弗·普盧默,埃琳諾·帕克,理查德·海頓,佩吉·伍德,查爾敏·卡爾,希瑟·孟席斯-尤里克,尼古拉斯·哈蒙德,杜安·蔡斯,安吉拉·卡特懷特,黛比·特納,基姆·卡拉思,安娜·李,波希婭·納爾遜,本·懷特,丹尼爾·特魯希特,諾瑪·威登,吉爾克里斯特·斯圖爾特,馬妮·尼克松,埃瓦德妮·貝克,多麗絲·勞埃德,格特魯?shù)隆ぐ⑺固?弗蘭克·貝克,史蒂夫·卡魯瑟斯,山姆·哈里斯,多羅西·吉金斯,利奧達(dá)·理查德斯,杰弗里·塞爾,伯納德·賽爾,諾爾曼·斯蒂凡斯,伯特史蒂文斯,瑪麗亞·馮·特拉普追惡
釋小龍,王真兒,劉峰超,劉怡潼莫·吉里根:活在當(dāng)下
莫·吉里根勾魂谷
杰米·貝爾,Kris Marshall,Matthew Rhys,Andy Serkis,Hans Matheson同類精選
十月建造的房屋
Brandy Schaefer,Bobby Roe,Zack Andrews月球奇幻旅
麥肯娜·格瑞絲,布雷迪·諾恩,比利·巴瑞特,Piper Rubio,Isaiah Russell-Bailey,Carson Minniear,奧遜·洪,Thomas Boyce,Hero Hunter,Jermaine McTizic,Tom Cain,Ashlan Rowan,Divyansh Yaduvanshi,Ken Knight,Rose Bianca Grue暴風(fēng)雨之星
Vladimir Yemelyanov,Georgi Zhzhyonov,Gennadi Vernov鬼裂面
Usamanee Waitayanon,Nathanon Narathanyawirun,Tong Archariya Sritha鬼三驚2
薩瓦特·博拉娜波拉特,素帕娜·吉塔勒拉,雷·麥克唐納,辛扎伊·本班尼,Apapattra Meesang派對(duì)島上的危險(xiǎn)
林賽·德雷斯巴赫,Andrea Prevatt,James Bobo,Kate Dailey影視排行
武器之刀光劍影
李乾銘,張星闌,孔孝信,孫祎彤,李夢(mèng)瑤,張春仲,曹禹澄,馮瀑,李雄,王鷹,齊·寶力高,于又川,元寶大革族四大勇士之元泰、勇士昆布倒戈賣國(guó)投降,元泰引西暌族和南離皇族聯(lián)軍攻革,大革族族皇自殺身亡!蔡八兒提著七孔刀逃亡,在山林里救了被狼群養(yǎng)大的小男孩,蔡八兒為小男孩取名祖澈,蔡八兒和祖澈隱居十五年后,祖澈長(zhǎng)練得一手好刀法,光復(fù)大革國(guó)。
綁架2016
西耶娜·蓋爾利,威廉·B·戴維斯,梅麗·卡爾維A girl flees her orphanage in a paranoid belief that otherworldly forces are after her. She seeks refuge in the remote town of Fate, Texas, but is met with hostility. The residents are about to enter her Hell.
蠅變深淵
徐冬冬,婁淇,張德暉,季葉翠該片是一部融合科幻驚悚與人性拷問(wèn)的電影。影片以虛構(gòu)的西岸港為背景,講述了新聞?dòng)浾咤?徐冬冬飾演)在調(diào)查跨國(guó)企業(yè)賽爾斯集團(tuán)的污染事件時(shí),意外卷入一場(chǎng)由其父親濮教授(張德暉飾演)所在的孤島實(shí)驗(yàn)室引發(fā)的基因?yàn)?zāi)難。當(dāng)實(shí)驗(yàn)創(chuàng)造出嗜血變異昆蟲并失控后,集團(tuán)為掩蓋真相切斷聯(lián)系、銷毀證據(jù),使被困者陷入絕境。為尋找失聯(lián)的父親,濮欣與男友江海(婁淇試驗(yàn))潛入死島,在怪物橫行、通訊斷絕的險(xiǎn)境中,逐步揭開實(shí)驗(yàn)背后的殘酷陰謀。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster