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耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
不明影像：絕對(duì)點(diǎn)擊禁止
樸寶英,周元,江星在網(wǎng)絡(luò)監(jiān)查科兼職的大學(xué)生俊赫，為了和生氣的女友世熙（樸寶英 飾）重歸于好，轉(zhuǎn)而求助于女友的妹妹——高中女孩靜美。靜美是一個(gè)沉迷以來(lái)網(wǎng)絡(luò)的時(shí)尚女孩，她答應(yīng)幫助俊赫，條件是俊赫能幫她找一些網(wǎng)上封禁的稀奇古怪的視頻。萬(wàn)般無(wú)奈，俊赫只得幫忙尋找，誰(shuí)知卻意外下載到一段詭異的視頻。這段視頻每次的文件名每次都會(huì)改變，每次打開后也會(huì)呈現(xiàn)不同的內(nèi)容，甚至在看完之前都無(wú)法關(guān)閉。倒霉的靜美似乎恰恰碰上了那個(gè)傳說(shuō)中的詛咒視頻，在此之后，她的周圍接連發(fā)生詭異事件?！ 【W(wǎng)絡(luò)時(shí)代帶來(lái)便利，也衍生了假象與罪惡，通往地獄的大門慢慢開啟……
密室綁架
杰拉·哈斯,克雷蒙斯·施伊克,馬克斯·馮·德·格羅本兩個(gè)蒙面人在街上綁架了一個(gè)女人并向其索要贖金，他們將她綁了起來(lái)并且堵住了她的嘴巴，但這個(gè)女人憑借自己有限的力量破壞了綁匪精心策劃的計(jì)劃。
限時(shí)營(yíng)救2025
凱特·貝金賽爾,劉易斯·陳,艾麗絲·克里奇,湯姆·班尼特,貝利·帕特里克,拉斯穆斯·哈迪克,馬特·威利斯,Roxy StriarFollows an ex-black ops team that reunites to pull off a desperate heist and save the life of an eight-year-old girl.
未來(lái)學(xué)大會(huì)
羅賓·懷特,哈威·凱特爾,喬恩·哈姆,保羅·吉亞瑪提,柯蒂·斯密特-麥菲,丹尼·赫斯頓,薩米·蓋爾,邁克爾·斯塔爾-大衛(wèi),邁克爾·蘭德斯,莎拉·夏希,埃德·科爾賓,克里斯托弗·B·鄧肯,埃文費(fèi)蘭特,弗蘭西絲·費(fèi)舍曾經(jīng)名噪一時(shí)的女明星羅賓·懷特（羅賓·懷特 Robin Wright 飾）早已過(guò)氣，45歲的她因?yàn)閳?zhí)拗和任性毀掉的很多機(jī)會(huì)，也讓公司老板杰夫（丹尼·赫斯頓 Danny Huston 飾）漸漸失去了耐心。杰夫逼迫她簽下演員生涯最后一份合約，從此羅賓的名字和三維掃描后的虛擬 形象只能出現(xiàn)在公司的展示墻上和數(shù)字時(shí)代的電影中。羅賓起初極度抵制，但在經(jīng)紀(jì)人艾爾（哈威·凱特爾 Harvey Keitel 飾）的竭力勸說(shuō)下，同時(shí)考慮到兒子亞倫（柯蒂·斯密特-麥菲 Kodi Smit-McPhee 飾）的狀況，這個(gè)倔強(qiáng)的女人選擇妥協(xié)。20年后，羅賓驅(qū)車前往亞伯拉荷馬參加未來(lái)學(xué)大會(huì)，而那里是一個(gè)全動(dòng)畫封鎖區(qū)。以動(dòng)畫形象示人的羅賓將經(jīng)歷一次難忘的旅程…… 本片根據(jù)波蘭科幻、哲學(xué)、未來(lái)學(xué)作家斯坦尼斯拉夫·萊姆的短篇小說(shuō)改編。