即刻觀影
劇情賞析
編輯推薦
阿提克斯研究所
萊亞·吉斯特德,威廉·麥鮑瑟,莎朗·摩翰,約翰·魯賓斯坦,Hannah Cowley,Rob Kerkovich,杰拉爾德·麥卡洛克,Trisha Rae Stahl,朱麗安·阿科斯塔,Anton Narinskiy,阿隆·克拉文,安妮·貝坦克特,Karen E. Wright,Erich Lane,Brian Chenoweth20世紀(jì)50、60年代，亨利·韋斯特博士（威廉·麥鮑瑟 William Mapother 飾）創(chuàng)建了靈學(xué)實(shí)驗(yàn)室阿提克斯研究所，針對(duì)超能力、透視、讀心術(shù)、隔空取物等邊緣學(xué)科展開(kāi)研究。雖然遭遇了無(wú)數(shù)的挫折與嘲笑，但是韋斯特博士仍堅(jiān)持不懈朝著目標(biāo)前進(jìn)。1975年，他的實(shí)驗(yàn)室因某起騙局而被迫關(guān)閉，就在此時(shí)一個(gè)略顯神經(jīng)質(zhì)的女人朱迪思·溫斯黛德（萊亞·吉斯特德 Rya Kihlstedt 飾）被送到實(shí)驗(yàn)室。她之前因傷而擁有了超能力，而其看似貨真價(jià)實(shí)的超能力迅速令見(jiàn)多識(shí)廣的科學(xué)家們大為折服。在這一過(guò)程中，朱迪思的能力不斷加強(qiáng)，甚至已經(jīng)到了失控的程度?！ ∵@已遠(yuǎn)遠(yuǎn)超出了超能力的范疇，謎團(tuán)背后惡魔的身影時(shí)隱時(shí)現(xiàn)……
虛擬實(shí)驚
杰西卡·德·古維,托馬斯·康奎爾,TJ·鮑爾,利亞姆·格雷厄姆,普麗西拉-安妮·福德,侯宣德,莎羅姆·布龍-富蘭克仁·阿瑪瑞發(fā)明了革命性的藥品型軟件，可直接在人類大腦中創(chuàng)造虛擬現(xiàn)實(shí)，僅幾秒鐘就能體驗(yàn)幾小時(shí)或幾天的激動(dòng)人心的冒險(xiǎn)。仁要拯救弟弟于記憶迷局，而合作伙伴一心只想賺取利益，但是一切都是記憶連環(huán)套……
家族秘密2025
金惠恩,金范來(lái),金寶侖隨著妍靜突然宣布重返職場(chǎng)， 她們發(fā)現(xiàn)自己離家的時(shí)間明顯增多。 之前一直疏遠(yuǎn)她心愛(ài)的鋼琴的米娜， 開(kāi)始回避家人。 之前一直回避運(yùn)動(dòng)的鎮(zhèn)秀，突然每個(gè)假期都離家去鍛煉。 隨著秘密越積越多，溝通也變得支離破碎， 三人變得疏遠(yuǎn)卻又親近。 然后，有一天，一次偶然的相遇， 將妍靜、米娜和鎮(zhèn)秀的秘密串聯(lián)了起來(lái)…… 噓！當(dāng)你打開(kāi)這扇秘密之門， 一個(gè)非常特別（？）的家庭故事就此展開(kāi)！
養(yǎng)鬼吃人4
Charlotte Chatton時(shí)間轉(zhuǎn)眼到達(dá)2127年,修老道又從地獄中走了出來(lái),這一次,他發(fā)覺(jué)自個(gè)兒在外宇宙的一艘飛船上,原來(lái)這是Merchant博士的一個(gè)規(guī)劃,他計(jì)劃將地獄之門永恒的閉合.Merchant博士的祖輩,一個(gè)18百年的七巧板制作商,就是魔方的制作者.固然幾個(gè)百年以往了,但Merchant一家始末為關(guān)閉地獄之門而盡力盡量.這一次,Merchant博士要在外宇宙將修老道徹底消泯……
誤色
Matthew Gilliam,Lavinia Postolache,Peter Gantenbein,Tanya Thomas,William Frederick Knight,司馬優(yōu)現(xiàn)在是2003年，國(guó)際武器核查員泰德·凱勒（馬修·吉利亞姆）在美國(guó)入侵伊始就在伊拉克工作。在調(diào)查一個(gè)未被發(fā)現(xiàn)的武器藏匿處時(shí)，他發(fā)現(xiàn)了一個(gè)可疑來(lái)源的生物制劑，他很快意識(shí)到這種生物制劑已經(jīng)危及他的生命。撞倒在地，他危險(xiǎn)的軌跡與美麗的國(guó)會(huì)援助伊蓮娜·波佩斯庫(kù)（拉維尼婭·波波拉切）相撞，后者發(fā)現(xiàn)自己被自己的危險(xiǎn)包圍著。他們聯(lián)合起來(lái)，被迫質(zhì)疑一切，同時(shí)努力比那些希望他們沉默的人領(lǐng)先一步。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.