四大美人西施

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四大美人西施

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四大美人西施

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成人生活技能

朱迪·惠特克,愛德華·霍格,愛麗絲·洛維,布雷特·戈?duì)柎奶?Rachael Deering,洛琳·艾什本,伊蓮恩·戴維斯

　　Anna is stuck: she's approaching 30, living like a hermit in her mum's garden shed and wondering why the suffragettes ever bothered. She spends her days making videos using her thumbs as actors - thumbs that bicker about things like whether Yogi Bear is a moral or existential nihilist. But Anna doesn't show these videos to anyone and no one knows what they are for. A week before her birthday her Mum serves her an ultimatum - she needs to move out of the shed, get a haircut that doesn't put her gender in question and stop dressing like a homeless teenager. Naturally, Anna tells her Mum to "back the f-off". However, when her school friend comes to visit, Anna's self-imposed isolation becomes impossible to maintain. Soon she is entangled with a troubled eight year old boy obsessed with Westerns, and the local estate agent whose awkward interpersonal skills continually undermine his attempts to seduce her.

可怖之事

蘇菲·特納,基特·哈靈頓,馬西婭·蓋伊·哈登,勞倫斯·歐弗林,喬納森·霍華德,Catherine McDonough,Tigerlily Langford,Zachary Cohen,Jürgen Koenen,Huxley Sheppard

 故事發(fā)生在中世紀(jì)的英格蘭，安妮和她專橫跋扈的婆婆莫溫在社會(huì)邊緣掙扎求生。然而，當(dāng)安妮過(guò)去的一位故人從戰(zhàn)場(chǎng)歸來(lái)，一位神秘騎士的出現(xiàn)似乎預(yù)示著詛咒的降臨，并威脅著她們所有人的命運(yùn)。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

吹笛人

夏洛特·霍普,朱利安·山德斯,菲利普·克里斯托弗,Alexis Rodney,Kate Nichols,皮帕·溫斯洛,Aoibhe O'Flanagan,Oliver Savell,Salomé Chandler

當(dāng)一位作曲家的任務(wù)是完成她已故導(dǎo)師的協(xié)奏曲時(shí)，她很快發(fā)現(xiàn)演奏音樂(lè)會(huì)帶來(lái)致命的后果，這讓她發(fā)現(xiàn)了旋律的令人不安的起源和已經(jīng)覺醒的邪惡。

納粹僵尸

Matthew Baunsgard,達(dá)米安·羅扎內(nèi)克,Ellis J. Wells,Richard Kovacs,Zach Devereux

A special team of allied forces are sent to infiltrate a Nazi occupied bunker. When they arrive, they discover the scientific experiments that have been taking place there have turned everyone into super human, flesh eating zombies.