黃昏時(shí)分的朋友 夕方のおともだち (2022)

? 1.2 播放：89萬 2026-05-04

有著肌肉發(fā)達(dá)的“抖M”一面的yoshida yoshio，經(jīng)常去街上只有一家的SM俱樂部的“女王”美保，但是無法忘記讓他在這個(gè)世界覺醒后突然消失的“傳說中的女王”yuki子。有一天，和美保一起出去釣魚的yoshio在一個(gè)意想不到的地方看到了優(yōu)紀(jì)子。把美保丟下拼命地追著優(yōu)紀(jì)子。

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? 播放 黃昏時(shí)分的朋友 夕方のおともだち (2022)

劇情提要

有著肌肉發(fā)達(dá)的“抖M”一面的yoshida yoshio，經(jīng)常去街上只有一家的SM俱樂部的“女王”美保，但是無法忘記讓他在這個(gè)世界覺醒后突然消失的“傳說中的女王”yuki子。有一天，和美保一起出去釣魚的yoshio在一個(gè)意想不到的地方看到了優(yōu)紀(jì)子。把美保丟下拼命地追著優(yōu)紀(jì)子。

幕后花絮

姐妹董事會(huì)

　　公司高管梅根成立了一個(gè)董事會(huì)，以改善她妹妹混亂的生活，并與一位心理學(xué)教授墜入愛河，后者發(fā)現(xiàn)了她強(qiáng)硬的舉止。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster