云上的云 (2024)

★ 8.0 播放：72萬 更新：2026-04-28

江南小鎮(zhèn)上長(zhǎng)大的女孩秋拾（呂星辰 飾）在遭遇家庭和事業(yè)的雙重變故后，決定頂住重重壓力，去完成一件彌補(bǔ)內(nèi)心遺憾的事。隨著深漂未婚夫青云（梁永棋 飾）的歸來，兩人之間的關(guān)系變得有些微妙。同時(shí)，一直默默陪在秋拾身邊的師哥尹塵（李玉剛 飾）以出乎意料的方式支持著秋拾。青云和尹塵對(duì)于秋拾的態(tài)度看似合理，但背后暗藏的卻是不為人知的情感。

在線播放

劇情簡(jiǎn)介

江南小鎮(zhèn)上長(zhǎng)大的女孩秋拾（呂星辰 飾）在遭遇家庭和事業(yè)的雙重變故后，決定頂住重重壓力，去完成一件彌補(bǔ)內(nèi)心遺憾的事。隨著深漂未婚夫青云（梁永棋 飾）的歸來，兩人之間的關(guān)系變得有些微妙。同時(shí)，一直默默陪在秋拾身邊的師哥尹塵（李玉剛 飾）以出乎意料的方式支持著秋拾。青云和尹塵對(duì)于秋拾的態(tài)度看似合理，但背后暗藏的卻是不為人知的情感。

導(dǎo)演精選

那一晚，我知道你做了什么

　　影片《那一晚，我知道你做了什么》  講述了四位大學(xué)好友，馬韋、賈超、劉強(qiáng)、翟杰磊在畢業(yè)前最后一頓散伙飯后準(zhǔn)備瘋狂一把，不了發(fā)生了一件讓眾人始料未及的事件。好學(xué)生翟杰磊被抓，一夜之間他的生活發(fā)生了翻天覆地的變化，此后翟杰磊便渺無音訊，大家也各奔東西。三年后，翟杰磊的未婚妻娜娜竟然突然打電話給翟杰磊當(dāng)年的三位好友馬韋，劉強(qiáng)等人，邀請(qǐng)他們參加自己和系花娜娜的婚禮，而他最終卻沒有出現(xiàn)。一場(chǎng)密室真心話大冒險(xiǎn)由此拉開序幕。　　已達(dá)到院線電影標(biāo)準(zhǔn)的《那一晚，我知道你做了什么》在2016年北京青年電影展閉幕式上成功入圍北京青年影展“第一屆最佳網(wǎng)絡(luò)電影”單元，并獲得最佳網(wǎng)絡(luò)大電影獎(jiǎng)。導(dǎo)演馮海濤在發(fā)表表彰感言時(shí)表示，感謝影展關(guān)注網(wǎng)絡(luò)大電影，這是網(wǎng)絡(luò)大電影第一次在表彰典禮登堂入室，這是觀眾的進(jìn)步，是中國(guó)電影的進(jìn)步。網(wǎng)絡(luò)大電影成為本屆電影展上眾人關(guān)注的焦點(diǎn)。　　影片懸疑色彩濃厚，劇情非常深入人心，是一部非常值得期待的電影。

情婦

　　Newlyweds move into their dream home where they discover a collection of 100-year-old letters from a young woman who committed suicide after being abandoned by the owner of the home.

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster