流浪神狗人

評分：3.6 播放：13萬 更新：2026-05-03

陳芯宜發(fā)揮魔幻寫實的又一創(chuàng)意小品，關于一群被丟棄的神、狗與人的魔幻狂想，高捷、蘇慧倫、張翰、張洋洋、杜曉寒主演。 　　

影片推薦

同類精選

影視排行

飛砂風中轉

鄭伊健,陳小春,方中信,余安安,葉璇,陳子聰,劉浩龍

　　和義盛坐館火水（方中信 飾）在篩選馬仔后備軍時，被一個開餐館的廚師火腩（陳小春 飾）所吸引，后者做的叫花雞味道鮮美，令他難忘。從此，他對火腩特別照顧，委以重任。找到了保護傘的火腩可以繼承祖業(yè)，跟妻子（葉璇 飾）夫唱婦隨經(jīng)營義盛小館，并盤算讓兒女進入名校就讀。正在此時，金融危機來臨，方中信遇到困難，堂主之位不保，此時他希望能夠讓火腩做接班人，穩(wěn)定軍心。然而，和義盛開山祖師后人十三妹（余安安 飾）卻力薦剛出獄的兒子燕子文（鄭伊健 飾）出任堂主之位。于是，兩個本不想做堂主的后起之秀被架上了PK臺。火腩只想安心經(jīng)營自己的飯店，而燕子文則希望進入大學進修，無心戀戰(zhàn)的兩人將面臨一場怎樣的對決呢？

毛骨悚然撞鬼經(jīng) 2012夏季特別篇

山下智久,岡田將生,香里奈,剛力彩芽,スギちゃん,稻垣吾郎,本田翼,堀內敬子,蓮佛美沙子,洼田正孝,橋本真實,菅田將暉,高橋光臣,手塚理美,木南晴夏,池津祥子

　　《紅指甲》備受人際關系困擾的公司職員石田（山下智久 飾）回家途中意外拐錯了叉路口，險些喪命。據(jù)說走錯叉路口的人絕對不可以把看到的東西告訴別人，否則對方將遭遇不幸。某晚，石田突然想起了那一天看到的景象?！侗辉{咒的病室》新人護士佐野愛莉（剛力彩芽 飾）偶然發(fā)現(xiàn)，居住在308病房的病人，去世前總會凝視著病房屋頂某個地方，那里似乎有什么東西存在?！队壹缰方螘r間，青年利也（岡田將生 飾）總是感覺肩膀很沉，他頗有些靈力的女友告訴他，他的右肩待著一位大嬸；《午夜末班車》男子（スギちゃん 飾）看錯時間，錯過了一個小時前的地鐵末班車。正當他懊悔之際，他的眼前停靠了一輛空無一人的列車；《夏日回憶》聰美（香里奈 飾）不久前與愛慕自己的青梅竹馬好友小悠（菅田將暉 飾）生離死別，某天晚上，小悠的身影出現(xiàn)在聰美床頭……

靈菁傳

胡悅,龔小鈞,孟璐,何聰睿,吳驍栩,曾語喬

前世將軍養(yǎng)女與兄長因禁忌之戀生死相離，今生化身白蛇與姐妹游戲人間，卻愛上舊人之子，在宿命糾葛下開啟極致人妖虐戀。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.