牢籠中的妖精

★ 6.3 播放：10萬 更新：2026-05-04

一個變態(tài)利用自己和憲兵的關(guān)系將一個舉止優(yōu)雅的珠寶商人的夫人變成了犯人，以審問的名義進(jìn)行SM玩弄。最后由于局勢改變，在他們要?dú)⑷藴缈跁r，其中的一個協(xié)助SM的士兵反骨殺死了長官，攜夫人逃走。 　逃走的過程中，此士兵經(jīng)按捺不住對夫人的向往，對夫人進(jìn)行了性侵。完事后，被追來的士兵發(fā)現(xiàn)，雙雙被槍殺。本片結(jié)束！ 　　

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劇情簡介

一個變態(tài)利用自己和憲兵的關(guān)系將一個舉止優(yōu)雅的珠寶商人的夫人變成了犯人，以審問的名義進(jìn)行SM玩弄。最后由于局勢改變，在他們要?dú)⑷藴缈跁r，其中的一個協(xié)助SM的士兵反骨殺死了長官，攜夫人逃走。 　逃走的過程中，此士兵經(jīng)按捺不住對夫人的向往，對夫人進(jìn)行了性侵。完事后，被追來的士兵發(fā)現(xiàn)，雙雙被槍殺。本片結(jié)束！ 　　

導(dǎo)演精選

大明嬪妃之離間

　　姚芊芊腹中的孩子即將足月，為了讓大家相信孩子是太子的，鄭貴妃命她帶蘭心去郊外寺廟進(jìn)香，自己則安排手下裝作歹徒襲擊二人，讓姚芊芊有理由“受驚早產(chǎn)”，并想伺機(jī)除掉蘭心。誰知，姚芊芊真的受驚動了胎氣，幸有蘭心全力相助，這才九死一生，在途中產(chǎn)下一子。從此，姚芊芊視蘭心為生死之交，王恭妃見狀，卻誤以為蘭心被鄭貴妃收買。王恭妃明白梅兒和蘭心情同手足，為防止梅兒隨蘭心一同倒戈，她開始用各種方式離間兩人的關(guān)系 ?！　∶穬涸巧瞎俅笕伺c歌女李月棠之女，實(shí)為蘭心之妹。

聊齋：魅首詭案

來自西域的舞姬阿離三年前慘死客鄉(xiāng)，身首異處，她的妹妹阿月來到事發(fā)的客棧，聯(lián)合戲法師李久成和縣令張承合謀演了一出大戲，將三年前涉及此事的相關(guān)人等都聚于一堂，巧設(shè)妙計(jì)讓當(dāng)年害死姐姐的兇手互相指證現(xiàn)形，最終查明了姐姐死去的真相，洗去了污名并昭雪報仇。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.