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三毛從軍記1992
賈林,魏宗萬(wàn),孫飛虎,朱藝,李穎大電影之?dāng)?shù)百億
姚晨,黃渤,焦陽(yáng),曾志偉,宋佳,王迅泥娃娃
楊祐寧,蔡思韻,張軒睿,周采詩(shī),郭雪芙,陳為民,李冠毅,高山峰,黃建群地下世界
喬治·班克羅夫特,艾弗琳·布倫特,克里夫·布洛克,弗萊德·科勒,海倫·林奇,拉里·塞蒙,Jerry Mandy,Alfred Allen,Shep Houghton,Andy MacLennan,Julian Rivero芝加哥大火記
泰隆·鮑華,艾麗絲·費(fèi)伊,唐·阿米契,艾麗絲·布雷迪異形帝國(guó)
詹姆斯·肯恩,曼迪·帕廷金,特倫斯·斯坦普,皮特·杰森,杰夫·科伯,托尼·佩雷斯,布萊恩·湯普森,弗朗西斯·X.麥卡蒂,基內(nèi)·揚(yáng),阿爾·伯恩,弗蘭克·考利森,湯姆·莫爾加,亞歷克·吉利斯,林凡 ,賈斯珀·科爾,Roger Aaron Brown,Don Hood,Edgar Small,Harri James,Brian Lando,Regis Parton,Jessica James,Clarence Landry,George Robotham,James De Closs同類(lèi)推薦
十二個(gè)想死的孩子
杉咲花,新田真劍佑,北村匠海,高杉真宙,黑島結(jié)菜,橋本環(huán)奈,吉川愛(ài),萩原利久,渕野右登,坂東龍?zhí)?古川琴音,竹內(nèi)愛(ài)紗當(dāng)活著比死更需勇氣，十二個(gè)少年來(lái)到荒廢醫(yī)院，進(jìn)行本以為是12 比0 的投票，通過(guò)後便可集體自殺，卻發(fā)現(xiàn)房間多了一具屍體，必須找出兇手和企圖破壞契約的潛入者。劇情以新本格派推理展開(kāi)，同時(shí)進(jìn)行「十二怒漢」式針?shù)h相對(duì)。原來(lái)再厭世，內(nèi)心極渴望別人聆聽(tīng)自己故事。每一個(gè)都可疑，每一個(gè)都隨時(shí)被說(shuō)服，結(jié)局示範(fàn)最令人心悅誠(chéng)服的反轉(zhuǎn)?！?0 世紀(jì)少年》（2008-09）、《愛(ài)的成人式》（2015）導(dǎo)演堤幸彥巧妙觸碰少年自殺的禁忌，像補(bǔ)完計(jì)劃般置諸死地，在絕望深淵，一次擁抱可拯救一個(gè)靈魂。
捏造貝多芬
山田裕貴,古田新太,染谷將太,神尾楓珠,前田旺志郎,小澤征悅,生瀨勝久,小手伸也,野間口徹,遠(yuǎn)藤憲一,藤澤涼架,新原泰佑,前原瑞樹(shù),堀井新太,坪倉(cāng)由幸,西田尚美,市川紗椰,安井順平,泉澤祐希,前野朋哉本片改編自同名小說(shuō)。貝多芬（古田新太 飾），眾人心中的孤高天才，原來(lái)竟是秘書(shū)一手捏造的“神話(huà)”？本片揭開(kāi)歷史迷霧，講述一個(gè)粗俗邋遢的真實(shí)貝多芬，如何在忠實(shí)秘書(shū)辛德勒（山田裕貴 飾）的筆下，被改寫(xiě)成永垂不朽的圣人音樂(lè)家。
哈留恩佩與邪惡祭司
Peter Franzén,伊麗娜·別爾克倫德,Jenni Banerjee在芬蘭警局供職多年的Timo，每天都周旋于形形色色的兇案罪犯之間，長(zhǎng)年疲于工作，使得他疏于對(duì)家人的照顧。女兒在一次意外的派對(duì)中遭人強(qiáng)奸，成為他心中揮之不去的陰影。此時(shí)，一名神秘案犯走進(jìn)了他的生活，提莫如何在重重陰霾下抓出真兇……
守骨異獸
約翰·瑞斯-戴維斯,薩拉·亞歷山德拉·馬克斯,Louis James,蒂芙妮·漢納姆·丹尼爾斯,索菲亞·埃萊尼,Danny Rahim,泰勒·溫奇科姆,Sarah T. Cohen,Lee Baker,Marco Antonio Clifton,安吉拉·迪克森,Wayne Gordon,索菲·蘭金一顆隕石撞擊蘇格蘭偏遠(yuǎn)森林，意外喚醒了自尼安德特人時(shí)代就蟄伏地底、以骨骼為食的遠(yuǎn)古克蘇魯式怪獸 “守骨異獸”。1976 年，調(diào)查者詹姆斯?惠勒深入洞穴后離奇失蹤，僅留下一張怪獸剪影的 8mm 膠片。數(shù)十年后，他的孫女奧利維亞為尋找同樣失蹤的母親，帶領(lǐng)一群好友與怪獸專(zhuān)家哈里斯教授，深入洞穴系統(tǒng)調(diào)查連環(huán)失蹤案，卻不知自己正被這只地底生物步步獵殺，陷入絕境求生的獵殺游戲。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.