萬字1964

? 3.7 播放：34萬 2026-05-04

(1964)暫無內(nèi)容，律師之妻柿內(nèi)園子(岸田今日子飾)為了排解生活上的沉悶，到藝術(shù)學(xué)校學(xué)習(xí)繪畫，結(jié)識了富家千金德光光子(若尾文子飾)。園子被對方的美貌所吸引，以致繪畫課時不知不覺畫了光子的像。學(xué)校里流言紛紛，慚愧的園子偶遇光子，對方卻十分友好，二人漸漸發(fā)展成同性戀人。暫無內(nèi)容園子沉醉在這段同性戀情的同時，卻發(fā)現(xiàn)光子在外頭養(yǎng)了一個小白臉─棉貫榮一郎(川津佑介飾)。園子答應(yīng)與棉貫共同分享光子，卑劣的綿貫卻將雙姝的私情暫無內(nèi)容告訴園子的丈夫孝太郎(船越英二飾)，使孝太郎對妻子和友人的關(guān)系起了疑心，園子和光子決定假扮自殺、懷孕等，以避開他們的耳目。暫無內(nèi)容可是，連孝太郎都對光子產(chǎn)生非份之想，兩夫妻與光子的關(guān)系更趨復(fù)雜，甚至甘愿被她玩弄于股掌之中暫無內(nèi)容hellip;暫無內(nèi)容hellip;

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劇情提要

(1964)暫無內(nèi)容，律師之妻柿內(nèi)園子(岸田今日子飾)為了排解生活上的沉悶，到藝術(shù)學(xué)校學(xué)習(xí)繪畫，結(jié)識了富家千金德光光子(若尾文子飾)。園子被對方的美貌所吸引，以致繪畫課時不知不覺畫了光子的像。學(xué)校里流言紛紛，慚愧的園子偶遇光子，對方卻十分友好，二人漸漸發(fā)展成同性戀人。暫無內(nèi)容園子沉醉在這段同性戀情的同時，卻發(fā)現(xiàn)光子在外頭養(yǎng)了一個小白臉─棉貫榮一郎(川津佑介飾)。園子答應(yīng)與棉貫共同分享光子，卑劣的綿貫卻將雙姝的私情暫無內(nèi)容告訴園子的丈夫孝太郎(船越英二飾)，使孝太郎對妻子和友人的關(guān)系起了疑心，園子和光子決定假扮自殺、懷孕等，以避開他們的耳目。暫無內(nèi)容可是，連孝太郎都對光子產(chǎn)生非份之想，兩夫妻與光子的關(guān)系更趨復(fù)雜，甚至甘愿被她玩弄于股掌之中暫無內(nèi)容hellip;暫無內(nèi)容hellip;

幕后花絮

浴火之森

失去丈夫后，瑪格達帶著女兒萊德前往森林中的避暑別墅，準(zhǔn)備將其出售。這原本是為了治愈創(chuàng)傷的第一步，卻因萊德失蹤和突發(fā)森林大火而發(fā)生了意外轉(zhuǎn)折。

公寓2024

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.