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蓋爾：黃磚路
Chlo? Crump,Hassan Taj,Laura Kay BaileyDorothy, now an elderly woman haunted by her past, tries to warn her granddaughter Emily before dark forces pull her into Oz, a once familiar land now twisted by horrors.
咸魚翻生
洪金寶,午馬,麥嘉,石天,林正英,鐘發(fā),曾志偉,劉雅麗俠盜“一枝花”專劫富濟(jì)貧故為人欽佩，卻因正義感得罪了一名蛇蝎美人，該女子名叫“仇女”雖嫁與一土豪“孤寒財(cái)主”為妾但始終不忘被“一枝花”所辱，誓必要將“一枝花”置于死地。“一枝花”浪跡江湖，但“仇女”并未因而放過他，反而更誣造許多盜竊案令官方大舉追緝之。其時(shí)江湖上出現(xiàn)兩個(gè)小人物，一肥一瘦，肥名“脹爆”為人憨直，因仰慕“一枝花”而喜扮大俠，瘦名“扭紋柴”常自作聰明經(jīng)常撞板，喜占小便宜，為了官方之花紅到處找尋“一枝花”，而偶遇上“脹爆”后來反成莫逆之交，兩人更結(jié)伴一同尋找“一枝花”……
布偶秀50周年特別節(jié)目
塞斯·羅根,塞布麗娜·卡彭特,瑪婭·魯?shù)婪?馬特·沃格爾,大衛(wèi)·戈?duì)柶?邁克林·西提,比爾·巴雷塔,Peter Linz,史黛芬妮·迪亞布卓,埃里克·雅各布森,Elizabeth Stenmoen,泰勒·邦奇,David Rudman,Alice Dinnean,Bruce Lanoil,科琳·史密斯,James Murray,Haley Jenkins,Kevin Carlson,Artie Esposito科米蛙、豬小姐以及其他迷人的伙伴們，重返最初的布偶劇院舞臺(tái)，帶來全新的音樂、搞笑短劇，以及一連串的后臺(tái)大亂斗。
伊曼紐爾的真相
卡雅·斯考達(dá)里奧,杰西卡·貝爾,阿爾弗雷德·莫里納,弗蘭西絲·奧康納,阿奈林·巴納德,吉米·辛普森,Gabriela Dias,斯賓塞·加雷特,山姆·賈格,凱文·麥克克科爾,安妮·拉姆塞片中卡雅·斯考達(dá)里奧飾演伊曼紐爾，她迷上了長(zhǎng)得酷像她死去母親的新鄰居(杰西卡·貝爾飾）。為了照顧她新生的孩子，伊曼紐爾陷入了一個(gè)虛幻易碎的世界，并成為了那里的守門人…
童煞驚魂島
丹尼爾·希梅內(nèi)斯·卡喬,艾邦·摩斯-巴克拉赫,凡妮莎·肖在一個(gè)舒適的季節(jié)，弗朗西斯科（艾邦·摩斯·貝克許 Ebon Moss-Bachrach 飾）和懷有身孕的妻子貝絲（凡妮莎·肖 Vinessa Shaw 飾）來到墨西哥某個(gè)海濱小鎮(zhèn)度假。適值狂歡節(jié)期間，小鎮(zhèn)四周歌舞升平，紙醉金迷，多少青年男女流連忘返。弗朗西斯科渴望尋覓一個(gè)安寧的所在，他找到當(dāng)?shù)氐臐O夫，從對(duì)方手中租下一艘船，打算在附近某個(gè)僻靜的小島安然度過五六天。次日，他和妻子抵達(dá)目的地。那里寂靜無聲，幾乎看不到一個(gè)人影。島上的孩子們偶爾逡巡四周，但無一例外臉上都掛著猙獰冷漠的表情。 未過多久，令他們毛骨悚然的事情接連發(fā)生。島上的孩子手執(zhí)兇器獵殺成人，期間更發(fā)出令人不寒而栗的笑聲。孩童的殺戮仍在繼續(xù)，弗朗西斯科夫婦能否逃離……
公寓2024
斯文·索奇塔,細(xì)田善彥,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.