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劇情簡介
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導(dǎo)演精選
禁地大戰(zhàn)
三個女人所駕駛的宇宙飛船發(fā)生問題，緊急降落在銀河系中一個名為「大地11號」的星球上，沒想到，該星球受到致命疾病肆虐，三個女人因此被當(dāng)?shù)氐莫毑谜啕溂{布（莫利.林沃德 飾）挾持。此時，「宇宙 獵人 」渥夫（彼得.史特羅斯 飾）駕駛著他的救援船展開行動，一路上他碰到了許多危急的狀況，還好都在 千鈞一發(fā) 之際安全脫身。隨著危機 一一 的化解，渥夫與獨裁者麥納布面對面的時刻越來越接近......他是否能對抗這群邪惡的外星小怪物，將三名美女從禁地星球中救出來呢？此片不但有緊湊的動作場面、獨特的場景設(shè)計、創(chuàng)意十足的聲音特效，3D三維效果更使其生動逼真......
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
惡魔的藝術(shù)
影片圍繞著一個家庭遭到情婦利用"黑色巫術(shù)"復(fù)仇的故事展開.講述了一個百萬富翁全家人被神秘而詭異的地殺害。沒有絲毫線索; 無法找到可以指證的兇手。神秘而恐怖的死亡令所有人為之困惑。一位罪案報道記者參與進此案的調(diào)查, 發(fā)現(xiàn)一個美貌的女人有可疑。他該如何向所有人證明她就是那個一直隱藏著的、并且擅長"魔鬼的藝術(shù)"的情婦? ...