風(fēng)騷俏佳人R

洛杉磯警探喬瑟夫（克萊格·謝菲爾 飾）是個(gè)標(biāo)準(zhǔn)敗類(lèi)，嗑藥嗑得比誰(shuí)都勤快，調(diào)查命案不忘順手牽羊，更枉顧家中妻小，專(zhuān)搞迷人可愛(ài)的阻街女郎。一宗幼童謀殺案現(xiàn)場(chǎng)，喬瑟夫撿回一只受過(guò)詛咒的奇異盒子，打開(kāi)后怪事不斷一樁接一樁：昨夜搞上的妓女意外身亡，他瞬間成為頭號(hào)嫌疑犯；一連串似幻似真的恐怖體驗(yàn)更不斷尾隨，無(wú)臉怪人四處追殺人群，《養(yǎng)鬼吃人》系列當(dāng)家猛鬼－針頭鬼（Pinhead）也重出江湖，一個(gè)頭兩個(gè)大的喬瑟夫該如何解決這謎一般的虛實(shí)夢(mèng)魘？本片改編自克里夫巴克（Clive Barker）恐怖小說(shuō)「受地獄羈絆之心」The Hellbound Heart，這顆壞心腸的主人正是故事男主角喬瑟夫，身為警察的他自身行為不檢點(diǎn)也罷，涉嫌謀殺難以脫罪的他竟然嫁禍好同事，善惡終有報(bào)，惡徒喬瑟夫果然陷入萬(wàn)劫不復(fù)的魔鬼夢(mèng)魘，活著比死更痛苦。

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

 黎耀輝（梁朝偉）與何寶榮（張國(guó)榮）是一對(duì)同性戀人，為了有新的開(kāi)始，他們懷著美麗的夢(mèng)想（去看南美洲大瀑布）離開(kāi)香港來(lái)到阿根廷，卻在布宜諾斯艾利斯迷了路。黎耀輝想安下心來(lái)過(guò)日子，無(wú)奈何寶榮于夜夜笙歌中放縱著自己的生命，以期找尋更多的刺激，只當(dāng)黎耀輝是他受傷后的港灣，兩人分歧 、爭(zhēng)吵越來(lái)越多，心的距離越來(lái)越遠(yuǎn)。黎耀輝明白過(guò)去的日子不可能再?gòu)?fù)返時(shí)，決定離開(kāi)何寶榮，而正是在他離開(kāi)后，絕望的意味（對(duì)黎耀輝的愛(ài)）才在何寶榮的腦海中完整地浮現(xiàn)。

一個(gè)關(guān)于愛(ài)、青春與友誼的美麗成長(zhǎng)故事。1992年8月，在一個(gè)被遺忘的山谷中，安東尼愛(ài)上了斯蒂芬妮。當(dāng)晚為了再次見(jiàn)到她，他偷借父親的摩托車(chē)去派對(duì)，翌日卻發(fā)現(xiàn)摩托丟失，他的生活也就此產(chǎn)生巨變。