影片推薦
春苗
李秀明,高寶成,達(dá)式常,林彬,白穆,于飛,李保羅,趙抒音,于元奇次世代機(jī)動警察:首都決戰(zhàn)
真野惠里菜,福士誠治,筧利夫,太田莉菜,千葉繁美滿姻緣
瓊·艾倫,安東尼·拉帕格利亞,克里斯汀·康奈利,史蒂芬·朗,Theo Stockman,Brady Bryson,提莫斯·J·考克斯,Jason Testa,Gregg Micheals,Pun Bandhu,Brian Patrick Murphy,羅伊·哈特拉姆,Kris Lundberg,Stephen Sapienza,Will Rogers相會在昨天
伊登·鄧肯-史密斯,亞斯特羅,瑪莎·斯蒂芬妮·布萊克,邁拉·盧克利希亞·泰勒,達(dá)馬里斯·劉易斯,弗蘭克·哈茨,布瑞特·G·史密斯,伊恩·安特曼,小巴靈頓·沃特斯,Dante Crichlow,Wavyy Jonez,Taliyah Whitaker,Johnathan Nieves,Manny Ure?a,Khail Bryant,Allen Holloway,Ejyp Johnson反恐疑云
杰克·吉倫哈爾,瑞茜·威瑟斯彭,梅麗爾·斯特里普,艾倫·阿金,彼得·薩斯加德,奧瑪爾·梅特瓦利,艾格爾·納爾,哈達(dá)爾·拉特松·羅滕,J·K·西蒙斯,西蒙·阿布卡瑞安,莫阿·庫阿斯,奇內(nèi)布·烏凱什,阿拉米斯·奈特,Rosie Malek-Yonan,穆尼爾·馬戈姆,鮑勃·岡頓,雷曼德·阿薩雷米,Wendy Phillips,Christian Martin,哈薩姆·甘西,納吉布·尼西里,芭妮·里維拉,安妮·貝坦克特,理查德·多頓,Floella Benjamin,Michael Dube,斯蒂夫·湯姆,羅伯食人之饑
馬克-安德烈·格隆丁,莫妮亞·肖克里,Charlotte St-Martin同類精選
致命玩笑
海耶斯·麥克阿瑟,杰西卡·麥克娜美,基爾·奧唐納忌怪島
西畑大吾,山本美月,生駒里奈,當(dāng)真亞美,平岡祐太,水石亞飛夢,川添野愛,禱云母,大谷凜香,笹野高史,伊藤步,灘儀武狼蛛
約翰·艾加爾,里奧.G.卡羅爾,克林特·伊斯特伍德阿勒泰之歌
阿依波塔·杰恩斯,銀珠·木拿里別克,海拉提·哈木,張大磊,張雅玫,達(dá)列力汗·哈德爾,阿來·阿依達(dá)爾汗,葉爾那爾·俄合拉斯別克,阿力木江·吐爾斯拜克,麗娜·夏侃,阿依江·賽力克,達(dá)布力·黑巴提,庫力加孜拉·比亞地審判游戲
阿米達(dá)普·巴強,埃朗·哈斯米,Krystle D'Souza,雷亞·查克雷伯蒂來點茶泡飯如何
深川麻衣,若葉龍也,小野寺Zuru,片岡禮子,大友律,山下知子,森禮子,幸野紘子,守屋えみ,尾本貴史,遠(yuǎn)藤隆太,松尾貴史,豐原功補,室井滋影視排行
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
世界的主人
徐粹彬,張慧珍,金鄭植,姜彩允,李宰錫,樸知玧,金藝昶,高旻示,白賢珠,卞重熙,文惠仁,鄭恩京,李尚熙,李代延,金錫勛,林在赫珠仁17歲的時光,是熱切投入青澀的戀愛,和好友打鬧笑談對性的好奇,替任職幼兒園校長的甩碌阿媽善后,閑時練跆拳道和做義工揮灑滿身活力。某日,同學(xué)發(fā)起聯(lián)署,反對出獄在即的強奸犯重回社區(qū),只有珠仁一個不肯簽名。她沖口而出的一句話,令她周遭的世界起了劇烈變化。那邊廂,幼兒園小女孩身上的瘀青,不禁令人起疑.…..尹佳恩導(dǎo)演一向擅拍兒童,早獲奉俊昊力贊為下一代大師級人馬,此次探索少女內(nèi)心幽微更見精準(zhǔn)細(xì)膩,新人徐粹彬的演出展現(xiàn)驚人層次和魅力。看似平凡的青春日常,幻化成對創(chuàng)傷、韌性和連接的動人描繪,悄無聲息地撼動心靈。
血咒圣痕
藤原啟治冷峻英俊的查爾斯·J·克里斯芬多(置鲇龍?zhí)?配音)是得到梵蒂岡認(rèn)證的圣職者,同時也是一名擁有強悍戰(zhàn)斗力的獨立吸血鬼賞金獵人。但他白色身份的另一面,是隱藏著無盡秘密的吸血鬼。他從不吸食獻(xiàn)血,是一名虔誠祈禱的圣徒。不過有一個例外,那就是查爾斯的祖先強尼·雷夫羅(藤原啟治 配音)。雷夫羅當(dāng)初利用符咒自行墮落成一名吸血鬼,堪稱所有吸血鬼的祖先。他為查爾斯提供源源不斷的血液,每當(dāng)查爾斯前往世界各地執(zhí)行任務(wù)時,雷夫羅便以“食物”的身份隨行。這次的任務(wù)有些奇怪,修女向查爾斯展示了一名神秘少女,而交換的代價便是查爾斯的主人兼食物——雷夫羅…… 本片根據(jù)日本漫畫家黑乃奈奈繪的同名原著改編。
陰陽師0
山崎賢人,染谷將太,奈緒,安藤政信,村上虹郎,板垣李光人,國村隼,北村一輝,小林薰講述安倍晴明學(xué)生時代的故事。在陰陽寮,被譽為天才的安倍晴明與其他學(xué)生截然不同,他是個有些討人厭且對成為陰陽師毫無興趣的怪人?! ∮幸惶?,晴明受到貴族源博雅的委托,解決襲擊皇族徽子女王的怪異現(xiàn)象。盡管兩人經(jīng)常發(fā)生沖突,但他們還是一起追尋真相。而一名學(xué)生的離奇死亡成為事件火索火索,引發(fā)了卷入平安京的邪惡陰謀和詛咒的動亂。