VN.049-土肥圓矮挫窮

殘忍的心

　　一個(gè)年輕屌絲蓋伊跟一個(gè)女人上床，事后才發(fā)現(xiàn)這個(gè)女人已經(jīng)結(jié)婚了，而且嫁給了臭名昭著的黑老大沃克，蓋伊擔(dān)心沃克會(huì)在某一時(shí)刻發(fā)現(xiàn)他的婚外情并殺了他，于是他主動(dòng)向沃克承認(rèn)錯(cuò)誤，并祈求原諒...

不允許帶狗

十五歲的加博，表面過著平凡簡(jiǎn)單的青少年生活，背后卻隱藏著不可告人的秘密—-他戀上好友的弟弟，而弟弟只有八歲！他在網(wǎng)上論壇尋求建議，試圖抑制戀童欲望，因而結(jié)識(shí)了戀少年經(jīng)驗(yàn)豐富的戴夫。直至戴夫因涉嫌侵犯未成年少年受到警方調(diào)查，加博終于不得不面對(duì)一場(chǎng)自我審問：他到底是受害人，還是施害者？改編自真實(shí)事件，來自德國(guó)的史蒂夫.巴赫大膽直面禁忌話題，以敏銳成熟的筆觸，探問生活與社會(huì)規(guī)范怎樣塑造了今時(shí)今日的我們。

甜蜜恰好也三十

　　金領(lǐng)孟夏貌美強(qiáng)悍，精明神勇，卻因未婚夫出軌而崩潰；SPA技師湯玲柔弱呆萌，嬌甜黏人，一再對(duì)吃軟飯的男友無力自拔。一場(chǎng)葬禮讓兩個(gè)被同一個(gè)男人傷害的隱秘情敵變成了磕磕絆絆的塑料花，日常斗嘴吐槽，情誼卻不斷升級(jí)。年輕陽光攝影師金哲的出現(xiàn)撩撥得二女春心萌動(dòng)，同時(shí)陷入瘋狂的境地。幾番爭(zhēng)斗下來，男神巋然無動(dòng)。兩女身心俱疲，感受到作為女人的無奈與悲涼，同時(shí)從這段荒唐的雌競(jìng)中幡然醒悟，對(duì)愛情和女性的尊嚴(yán)、價(jià)值生發(fā)出全新的體悟。金哲究竟情囑何方？?jī)蓚€(gè)大齡女最終愛歸何處？假閨蜜如何煉就真友誼？

鬼迷藏

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

嗜血之夜

　　一群十幾歲的少年慶祝一個(gè)本地連環(huán)殺人犯的忌日，突然發(fā)現(xiàn)他們自己與這個(gè)困擾的城市傳說的現(xiàn)實(shí)面對(duì)面。