即刻觀影
劇情賞析
編輯推薦
人偶之家
長(zhǎng)澤雅美,瀨戶康史,田中哲司,池村碧彩,本田都同花,今野浩喜,西田尚美,品川徹,安田顯,風(fēng)吹淳故事主角是失去五歲女兒芽衣的鈴木佳惠（長(zhǎng)澤雅美）和丈夫忠彥（瀨戶康史）。沉浸在悲傷中的佳惠，在古董市場(chǎng)找到一個(gè)與芽衣非常相似的可愛洋娃娃，并開始呵護(hù)它，逐漸恢復(fù)了活力。但是，佳惠和忠彥有了新的女兒真衣之后，兩人就不再關(guān)注這個(gè)洋娃娃了。漸漸地，五歲大的真衣開始和洋娃娃玩耍，這個(gè)家庭接二連三地發(fā)生奇怪的事情。佳惠他們?cè)噲D擺脫這個(gè)洋娃娃，但無論扔掉還是供奉，這個(gè)洋娃娃卻莫名其妙地回來了！洋娃娃隱藏的秘密是什么？以及即將揭開的震撼真相是什么——！
三個(gè)神探與喀爾巴阡之犬
Florentine Behrend,Levi Brandl,菲利普·克里斯托弗,Luis Dyangani,西拉-安娜 法爾,Mapi Plácido,Filip Schnack...
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
心靈與智慧
德懷特·戴維·艾森豪威爾,William Marshall,喬治·皮杜爾本片是由哥倫比亞電影公司出資委任電視紀(jì)錄片導(dǎo)演皮特?戴維斯（Peter Davis）拍攝的一部探討美國(guó)為何在1959-1975年期間發(fā)動(dòng)對(duì)越戰(zhàn)爭(zhēng)，越南人民的悲慘遭遇，以及美國(guó)人民對(duì)越戰(zhàn)態(tài)度轉(zhuǎn)變的紀(jì)錄片。這是美國(guó)本土首次放映直接采訪刻畫越南平民慘境的影片，片中多次表現(xiàn)了美軍將領(lǐng)的種族主義和美國(guó)政府對(duì)國(guó)內(nèi)人民的無恥欺騙。電影于1974年在法國(guó)嘎納電影節(jié)首映，隨即便因內(nèi)容的嚴(yán)重爭(zhēng)議性被哥倫比亞公司擱置。制片人波特?施耐德（Bert Schneider）與亨利?蘭格（Henry Lange）向哥倫比亞公司買回了版權(quán)，并終于1975年通過華納公司在美國(guó)公映。本片獲1974年奧斯卡最佳紀(jì)錄片獎(jiǎng)，并被提名同年金球獎(jiǎng)最佳紀(jì)錄片。
錯(cuò)誤指控
萊斯利·尼爾森,理查德·克里納,凱莉·勒布洛克,美琳達(dá)·麥格勞,麥克爾·約克,桑德拉·伯恩哈德,艾倫·坡爾,本杰明·拉特納,杰拉德·普倫科特,鄧肯·弗雷澤,John Walsh,Chick Hearn,瑪麗·布萊克,阿萊克斯·迪亞坤,阿德里安·多瓦爾,埃莉·哈維,Charles Payne,帕特·普羅夫特,薇娜·蘇德,比爾·塔爾林,Shari Lewis一次演奏會(huì)上，小提琴家瑞安（萊斯利?尼爾森 Leslie Nielsen 飾）邂逅了美艷婦人勞倫（凱麗?勒布克 Kelly LeBrock 飾），勞倫對(duì)他大拋媚眼，嚇得瑞安不知所措。聯(lián)合國(guó)秘書長(zhǎng)羅伯特將到哥倫比亞作反恐演講，勞倫的丈夫希賓負(fù)責(zé)安排一切。這天瑞安收到了勞倫的邀請(qǐng)，并注明如果他不前來她將自殺。揣揣不安的瑞安如約來到了勞倫的別墅，卻發(fā)現(xiàn)希賓早已倒地身亡。突然，一名獨(dú)眼獨(dú)臂獨(dú)腿的男人出現(xiàn)將瑞安擊暈了?！ ‘?dāng)瑞安醒來后，他已被警察抓了起來，荒謬的是，瑞安謀殺希賓的罪名成立了。盡管他一再分辯，但他還是被押往監(jiān)獄。途中囚車意外翻下了山崖，大難不死的瑞安開始了亡命天涯，他一方面要逃避追捕，一方面要設(shè)法找證據(jù)還自己一個(gè)清白！
平原上的迷途
菲利波·斯科蒂,塞爾吉奧·羅馬諾,皮耶爾保羅·卡波維拉,羅伯托·西特蘭,安德里亞·彭納基,Simone Bergamasco,Francesco Busolin,Diego De Francesco,丹尼斯·法索洛,Nicola Rossato,Giuseppe Messina卡洛比安奇和多里亞諾是兩個(gè)生活拮據(jù)的五十多歲男人，他們秉持著“絕不錯(cuò)過最后一杯酒”的人生哲學(xué)。在一次偶然的機(jī)會(huì)中，他們結(jié)識(shí)了朱利奧，一位性格內(nèi)向、對(duì)人生感到迷茫的建筑學(xué)學(xué)生。這場(chǎng)看似不經(jīng)意的邂逅，卻逐漸演變成了一場(chǎng)穿越威尼斯平原的混亂公路旅行?！ ≡诼猛局?，糟糕的建議、宿醉的困擾以及意料之外的友情，不斷挑戰(zhàn)朱利奧對(duì)人生和愛情的原有計(jì)劃。這場(chǎng)旅程不僅重新定義了他們彼此的生活，也讓朱利奧開始重新思考自己的未來方向。