播放通道
詳細(xì)簡(jiǎn)介
熱門影視 大家都在看
魯邦三世:不死身的血族
栗田貫一,大塚明夫,浪川大輔,澤城美雪,山寺宏一戒靈
靈異醫(yī)院
Sara Foster,Cary Elwes,Michael Biehn,Gabriel Mann,Colleen Camp,Winter Ave Zoli,Susie Amy,Katherine Shanklin奇跡男孩
雅各布·特倫布萊,朱莉婭·羅伯茨,伊扎貝拉·維多維奇,歐文·威爾遜,諾亞·尤佩,丹妮爾·羅絲·拉塞爾,納吉·杰特,戴維德·迪格斯,曼迪·帕廷金,布萊斯·吉扎爾,艾爾·麥金農(nóng),泰·孔西利奧,詹姆斯·休斯,凱爾·布瑞特科夫,米莉·戴維斯,莉婭·朱厄特,凱琳·布瑞特科夫,利亞姆·迪金森,艾瑪·特倫布萊,馬克·多茲勞,魯奇婭·伯納德,J·道格拉斯·斯圖瓦特,阿里·利伯特,埃麗卡·麥基特里克,本·伊曼紐爾,杰森·麥金農(nóng),索尼婭·布拉加,吉潔特歡樂歲月2025
丹尼爾·雷德克里夫,喬納森·格羅夫,琳賽·門德茲,瑞格·羅杰斯,克里斯托·喬伊·布朗,Katie Rose Clarke,Natalie Wachen雨和閃電的氣息
麥卡·夢(mèng)露,瑪姬·格蕾斯,布拉德·卡特同類推薦
沐浴鹽僵尸
Josh Eal,Ethan Holey,Jackie McKownIn New York City, potent strands of bath salts have surfaced and have attracted the most devoted bath salt junkies. A young aspiring chemist has developed an even stronger batch... but something has gone horribly wrong.
黑色城堡
Evgeniy Shvarts,維羅妮卡·烏斯蒂莫娃,葉夫根尼·斯迪查金,琳達(dá)·拉賓什,阿納斯塔西婭·克拉索夫斯卡婭,Aleksandr GirenokYoung professor Anton Kosmich studies the history of Belarus. One day he is mystically transported to the Middle Ages, where he will have to unravel the secrets of the past millennia.
毛骨悚然撞鬼經(jīng) 2013夏季特別篇
指原莉乃,坂口憲二,深田恭子,藤谷太輔,鈴木福《恐怖的二樓》少年畑野龍(鈴木福 飾)似乎天生具有靈視的能力,他和外婆、媽媽(YOU 飾)搬到新家,結(jié)果發(fā)現(xiàn)他們不是這里的唯一住戶。小龍看見了女鬼,可是媽媽卻不相信;《X醫(yī)院》信心受挫的實(shí)習(xí)醫(yī)生佐佐木直樹(藤谷太輔 飾)倍感壓力,在此期間,各種詭異事件也交替在他身邊出現(xiàn),令他疲于奔命;《影子的暗示》厭倦了枯燥的工作,遠(yuǎn)山美和(深田恭子 飾)計(jì)劃轉(zhuǎn)職旅游公司,期間她時(shí)常會(huì)看見神秘黑影,而黑影所至之處必然發(fā)生災(zāi)難;《女子高中大危機(jī)》在女子高中任教的澤木洋介(坂口憲二 飾),其班上名叫亞里沙的女孩似乎制作了一個(gè)地下網(wǎng)站,他沒有料到,恐怖的危機(jī)正慢慢降臨這所高中;《蠕動(dòng)的人偶》園田里菜(指原莉乃 飾)在街上相中了一個(gè)士兵人偶,于是不假思索將其買了下來,誰知這個(gè)仿佛有生命的玩偶正漸漸影響她的生活。
夏日書局
王璐“廢柴”大齡男人顧大池繼承了父親的“遺產(chǎn)”:一家破二手書店。他決定用一個(gè)夏天把書店變現(xiàn),由此認(rèn)識(shí)了復(fù)讀女孩蔡小心,他們整理書賣書,把面包車改成“移動(dòng)書房”上路,直到發(fā)現(xiàn)了父親藏在書里的“寶藏”……很快,夏天就這么過去了。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.