大鬧廣昌隆
鄭明寶(鄭丹瑞 飾)是香港某電臺(tái)播報(bào)豬肉價(jià)格的DJ,他的朋友陳七本想托他走私藥品,沒(méi)想到鄭明寶把事情搞砸,害得他鋃鐺入獄。鄭明寶無(wú)意中得到了一把雨傘,并由此結(jié)識(shí)了冥間女鬼方茵(陶君薇 飾),為此,鄭明寶專(zhuān)門(mén)做了一檔晚間鬼故事的節(jié)目,由方茵現(xiàn)身說(shuō)法,收聽(tīng)率居高不下,連當(dāng)紅DJ蕾莎(顧美華 飾)也對(duì)他另眼相看,暗送秋波。 節(jié)目中,方茵講述了自己的一段被負(fù)心漢欺騙、慘遭情敵迫害致死的過(guò)程。原來(lái),她本是從南洋來(lái)香港接管廣昌隆飯店的女繼承人,偶然見(jiàn)邂逅了警察馬光燊(吳大維 飾),并墮入愛(ài)河。但是,馬光燊其實(shí)是個(gè)花花公子,幾次三番傷害了方茵純潔的感情。特別是當(dāng)他的情婦(青山知可子 飾)登堂入室后,更是把傷心欲絕的方茵逼上了絕路……
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走心男
權(quán)相佑,文彩元影片翻拍自阿根廷電影《膝下無(wú)子》,講述了高中時(shí)期遇見(jiàn)初戀的男人無(wú)意間將家庭史變成秘密而展開(kāi)的一系列風(fēng)波浪漫喜劇故事。
零食小屋
加布·拉貝爾,David Costabile,米卡·阿卜杜拉內(nèi)布拉斯加州,1991年,兩個(gè)最好的朋友有機(jī)會(huì)經(jīng)營(yíng)游泳池小吃店,后來(lái)成為越軌、娛樂(lè)、個(gè)人發(fā)現(xiàn)和浪漫的完美場(chǎng)景。
吊人游戲
阿爾·帕西諾,布蘭特妮·斯諾,莎拉·夏希,卡爾·厄本,喬·安德森,杰梅因·里弗斯,謝勒·拉莫斯,邁克爾·帕帕約翰,斯蒂芬·考特爾,歐德莎·雷,朱爾斯·黑文,薇薇安娜·查維斯,馬特·默丘里奧,邁克爾·羅斯,德韋恩·博伊德,斯洛恩·沃倫,喬恩·亞瑟偵探雷·阿切爾(阿爾·帕西諾飾)和他的搭檔威爾(卡爾·厄本飾)聯(lián)手追捕城市中最臭名昭著的連環(huán)殺手。而這名令人聞風(fēng)喪膽的連環(huán)殺手實(shí)則用“Hangman ”(上吊的人)的猜詞游戲犯案。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
一個(gè)星期三的下午
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