靈幻新娘
這是中國版的人鬼情未了,展輝是個四海為家的書生,某夜路宿湖北破廟,即遇怪異的迎親隊伍。展輝驚見新娘貌若天仙,卻于轎內向他含淚救助。此時霹靂四射,狂風大作,鬼王現(xiàn)身搶親,時又出現(xiàn)一俠士薛三與鬼王纏斗。展輝拾獲薛三古劍一把,臨走將散落地上骨友撿入瓶中。醒后,展輝懷疑自己做了一場怪夢,次日,展輝入城投宿客棧,客棧老板娘對他糾纏不已,忽有女子入門,此女竟是夜轎中新娘,自稱小翠。為報救命之恩而來,清晨展輝起身,佳人芳蹤已杳。展輝上街訪友,又遇小翠及其丫環(huán),而小翠對他卻視如陌路,展輝懷疑不解。后來得知此女即為自己所訪韋叔之小女小恕,尤感蹊蹺。是夜小翠再現(xiàn),道出小恕乃為其妹。而自己早已是鬼魂。因鬼王垂涎其美色,要讓她永遠不得超生。展輝欲助小翠投胎轉世,衷求無憂觀道士作法,但作法非賴小翠血親相助不為功。小恕不顧父母反對,與展輝合力共度難關。迎回小翠骨灰,道士作法超度,與鬼王發(fā)生爭斗,賴薛三古劍趕走鬼王,但在超度法場,又被鬼王將小翠捉走。展輝求道士助其前往陰曹地府救小翠。三人合力下繼一場廝殺后,鬼王被消滅。黎明乍現(xiàn)前小翠與展輝離開陰曹地府。
即刻觀影
劇情賞析
編輯推薦
幽旅巫咒
亞當·斯科特,大衛(wèi)·威爾莫特,奧斯丁·阿梅里奧,弗洛倫絲·奧德什,彼得·庫南,Brendan Conroy,邁克爾·帕特里克,威爾·奧康納,Sioux Carroll,Ezra Carlisle,Siox C,Mallory Adams性格孤僻、不近人情的小說家歐姆·鮑曼(亞當·斯科特 飾)帶著父母骨灰,來到偏遠陰郁的愛爾蘭鄉(xiāng)間,重返父母曾經最幸福的地方。他入住父母當年度蜜月的古老旅館,卻被旅館員工告知,這間旅館流傳著一則禁忌傳說,有一位古老女巫,長期徘徊在“蜜月套房”,而那間套房早就被封鎖并列為禁區(qū),所有人都被警告絕對不能靠近。起初,歐姆對此不以為意,但當旅館出現(xiàn)離奇失蹤事件,他也逐漸產生詭異幻覺,仿佛那個傳說正滲入他的思緒,將他一步步拖入潛伏著超自然能量的噩夢深淵……
貪種滋生
Andrew Boszhardt,艾德里安·恩斯科,切爾西·吉利根,Madison LewisThe bizarre and mysterious suicide of the Wendolyn’s patriarch brings the dysfunctional, pharma family back together. While the family members squabble over their dwindling inheritance, an ancient curse preys on their greed and arrogance. The Wendolyn’s made billions on painkillers, but no drug can kill the pain that they’ll soon endure.
異次元駭客
克雷格·比爾克,阿明·繆勒-斯塔爾,格瑞辰·摩爾,文森特·多諾費奧,丹尼斯·海斯伯特,斯蒂文·沙博,Jeremy Roberts,里夫·霍頓,萊昂·里皮,珍妮特·麥克拉克倫,布拉德·威廉姆·亨克,伯特·布洛斯,Venessia Valentino,霍華德·S·米勒,蒂婭·德克薩達,施瑞·阿普萊碧,鮑勃·克萊德寧,艾莉森·洛曼,Hadda Brooks,厄尼·里夫利,托妮·索耶,Brooks Almy,李韋弗,杰弗里·里瓦斯,Travis Tedford,杰夫·布魯門克蘭茨,約翰尼·克勞福德,Tracy P十三,一個聽起來就有些陰冷的數字。在一座大廈的第十三層,科學家道格拉斯?霍爾(克雷戈?比克飾)和漢農?富勒(阿明?繆勒-斯塔爾飾)用電腦模擬出一個逼真的1937年的洛杉磯,他們可以通過電腦進入這個虛擬世界,真實地體驗1937年的生活與自己。然而一個夜里,富勒被人殺死,種種線索都表明似乎是霍爾所為??苫魻枀s對當天夜里的事情全無記憶。這時一個自稱是富勒女兒的女人又神秘出現(xiàn),可霍爾從未聽富勒說過自己有女兒……為了找到兇手明曉真相,霍爾循著富勒留下的線索來到虛擬世界中,他離真相越來越近了……近到窒息……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
貪種滋生
Andrew Boszhardt,艾德里安·恩斯科,切爾西·吉利根,Madison LewisThe bizarre and mysterious suicide of the Wendolyn’s patriarch brings the dysfunctional, pharma family back together. While the family members squabble over their dwindling inheritance, an ancient curse preys on their greed and arrogance. The Wendolyn’s made billions on painkillers, but no drug can kill the pain that they’ll soon endure.
犬之力
本尼迪克特·康伯巴奇,克爾斯滕·鄧斯特,柯蒂·斯密特-麥菲,杰西·普萊蒙,托馬辛·麥肯齊,基思·卡拉丹,弗蘭西絲·康羅伊,吉娜維夫·萊蒙,肖恩·基南,George Mason,David Denis,科恩·霍洛維,愛麗絲·恩格勒特,Yvette Reid,斯特芬·勞瓦特,瓦季姆·列多戈羅夫,朱莉·福塞斯,彼得·卡羅爾,艾莉森·布魯斯,大衛(wèi)·T·林,亞當·比奇,Ramontay McConnell,Max Mata,Ken Radley富有魅力的牧場主菲爾·伯班克(本尼迪克特·康伯巴奇 飾)讓他周圍的人又敬又怕。當他的兄弟將新婚妻子以及她的兒子帶回家時,菲爾百般折磨他們,直到有一天,他發(fā)現(xiàn)自己對愛也存有一絲渴望。