兄弟的女人（幕后花絮）
99%的情欲暫無內(nèi)容1%的愛情，無法自控的四名男女的欲望故事!為了把這部運(yùn)動(dòng)電影拍的更深入人心，劇組還專門請(qǐng)了兩個(gè)外表清純內(nèi)心狂熱的島國女生。（藤浦惠）（階戶瑠李）故事暫且不說，僅僅是這兩位島國女生，能在炕上哼哈兩聲，在某種程度上仿佛就已經(jīng)征服了許多單身少年的那半身。當(dāng)然，作為正統(tǒng)的日韓合拍作品，今天電影的除了畫面顯得比較清新，劇情及場(chǎng)面同樣是簡單到不行！暫無內(nèi)容除了一臉清純秀色可餐模樣，島國妹子的臉上還掛著沒有睡醒過的憂傷，人生路上迷茫，幾度彷徨。
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Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster