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耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
貝爾女巫縈繞
Marissa Lynne Johnson,Laura Alexandra Ramos,Cat Alter,Natalie Burtney,Drew Cash,Julia Cearley,M. Steven Felty,Drew Hellenthal,Desi Ivanova,Benjamin James,Ted Jonas,Jason Kakebeen,丹妮·洛朱,James Simenc故事?lián)鎸?shí)事件改編，本片由羅伯遜縣警長(zhǎng)手機(jī)和攝像機(jī)的尸體上為素材，制造了一起靈異事件……
極地大冒險(xiǎn)3
Matthew Whelan,Emma Jenkins,Dermot Magennis,保羅·泰來克,Roger Gregg,艾琳·米森,Lucy Smith,Harry Weld-Moore,Justin Daniels Anene,盧克·格瑞芬,Brendan McDonald,Mary Murray,Susan Slott,Michael Sheehan,Cameron Simpson,Evan O'Connor,Michelle Read,羅爾夫·伯格,Tobias Breckl尼科的夢(mèng)想要實(shí)現(xiàn)了！他和他的父親可以成為圣誕老人馴鹿隊(duì)的一員。然后突然斯特拉出現(xiàn)了，想要占有他的位置。雖然他們都在爭(zhēng)奪這個(gè)位置，但他們也成了朋友。但是，圣誕節(jié)前一天，雪橇被偷了！圣誕節(jié)有被取消的危險(xiǎn)，只有尼科能救它。
靈雀密語(yǔ)
Lucie Léontiadis,Anton Souverbie-Giorgis,Marina Le Guennec,Yannick Jaulin,弗朗索瓦·馬爾圖雷特,Hélène Friren,Thierry Buenafuente,Roseline Guinet,Ciboulette本片以鄉(xiāng)村考古為背景，講述少女露西與母親卡羅琳重返家族故地時(shí)，意外揭開一段被歲月掩埋的親情謎團(tuán)。露西在兩只神秘靈雀的指引下，與好友化身“小偵探”，通過老宅殘片、褪色信件與家族舊物，逐步拼湊出曾祖母時(shí)代因戰(zhàn)亂而斷裂的情感紐帶。這部別致的定格動(dòng)畫采用手工剪紙方式制作，創(chuàng)作團(tuán)隊(duì)用2000個(gè)紙偶和826個(gè)布景拍攝，堪稱完成了一項(xiàng)不可能的工作。片中既有細(xì)膩舒緩的情緒鋪陳，也不乏快速剪輯的驚險(xiǎn)片段。導(dǎo)演安東尼·蘭席奧以一段層層遞進(jìn)的冒險(xiǎn)旅程為載體，娓娓道來幾代人之間的情感牽絆，描繪出一部充滿詩(shī)意、幽默和溫情的動(dòng)畫佳作。
摩羯星一號(hào)
埃利奧特·古爾德,詹姆斯·布洛林,薩姆·沃特森,O·J·辛普森,哈爾·霍爾布魯克,凱倫·布萊克,特利·薩瓦拉斯故事梗概: 由領(lǐng)隊(duì)布魯貝克等三名宇航員駕駛的美國(guó)宇宙飛船《摩羯星一號(hào)》因質(zhì)量不好未能起飛,宇航主任凱洛威博士為騙取國(guó)會(huì)的預(yù)算,強(qiáng)迫宇航員參加了一場(chǎng)在攝影棚內(nèi)模擬飛行同時(shí)進(jìn)行電視實(shí)況轉(zhuǎn)播的騙局.為了騙局不被戳穿,還決定宣布飛船降落時(shí)因事故機(jī)毀人亡,秘密殺害宇航員.宇航員沖出攝影棚后,兩人被打死.死里逃生的布魯貝克出現(xiàn)在追悼會(huì)上,揭露了事實(shí)真相.
毒蜂
富大龍,許亞軍,高梓淇,侯勇,呂良偉,王斑,鄭曉寧,張苡寧,張靜靜,白慶琳,方姝晴,袁帥新型毒品“蜜蜂”在江州毒品市場(chǎng)肆虐，隨著研制者“毒蜂”被緝拿歸案，其配方也面臨消失，毒界變得風(fēng)聲鶴唳。主人公段成（富大龍 飾）在一次押送途中越獄，并對(duì)外宣稱自己是“唯一知道蜜蜂配方”的人，面臨配方重出江湖的巨大誘惑，多方勢(shì)力開始對(duì)段成展開威逼利誘。經(jīng)歷追殺、強(qiáng)行被注入毒品等非人折磨后，段成滲入毒巢，以“誘餌”身份一步步接近大毒梟“蜂王”……另一方面，江州警方的“捕蜂人行動(dòng)”也正式啟動(dòng)，一場(chǎng)正與邪、善與惡的黑白對(duì)決一觸即發(fā)……