身體輪廓的秘密
在一個(gè)由令人震驚的暴力和性心理扭曲定義的類型中,它可能仍然是暫無內(nèi)容EuroCult暫無內(nèi)容歷史上最過分的“giallo”:前米高梅新星和注定要失敗的詹姆斯迪恩情人皮爾安杰利(她的金球獎(jiǎng)“最有前途”已經(jīng)過去了暫無內(nèi)容20暫無內(nèi)容年)暫無內(nèi)容新”,就在她悲慘死亡的前一年)在這部超恐怖的史詩中出演,充滿了斬首、寵物禿鷲、令人毛骨悚然的亂倫、時(shí)髦的時(shí)裝、氰化物浴、漩渦迷幻藥、莫名其妙的情節(jié)曲折、納粹死亡集中營的倒敘等等。暫無內(nèi)容埃萊奧諾拉·羅西·德拉戈、費(fèi)爾南多·桑喬和盧西亞諾·卡泰納奇在暫無內(nèi)容1970暫無內(nèi)容年共同出演了這部讓西格蒙德·弗洛伊德本人驚恐尖叫的病假。暫無內(nèi)容不幸的是,IN暫無內(nèi)容THE暫無內(nèi)容FOLDS暫無內(nèi)容OF暫無內(nèi)容THE暫無內(nèi)容FLESH暫無內(nèi)容目前僅提供英文配音對(duì)話曲目。
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劇情提要
在一個(gè)由令人震驚的暴力和性心理扭曲定義的類型中,它可能仍然是暫無內(nèi)容EuroCult暫無內(nèi)容歷史上最過分的“giallo”:前米高梅新星和注定要失敗的詹姆斯迪恩情人皮爾安杰利(她的金球獎(jiǎng)“最有前途”已經(jīng)過去了暫無內(nèi)容20暫無內(nèi)容年)暫無內(nèi)容新”,就在她悲慘死亡的前一年)在這部超恐怖的史詩中出演,充滿了斬首、寵物禿鷲、令人毛骨悚然的亂倫、時(shí)髦的時(shí)裝、氰化物浴、漩渦迷幻藥、莫名其妙的情節(jié)曲折、納粹死亡集中營的倒敘等等。暫無內(nèi)容埃萊奧諾拉·羅西·德拉戈、費(fèi)爾南多·桑喬和盧西亞諾·卡泰納奇在暫無內(nèi)容1970暫無內(nèi)容年共同出演了這部讓西格蒙德·弗洛伊德本人驚恐尖叫的病假。暫無內(nèi)容不幸的是,IN暫無內(nèi)容THE暫無內(nèi)容FOLDS暫無內(nèi)容OF暫無內(nèi)容THE暫無內(nèi)容FLESH暫無內(nèi)容目前僅提供英文配音對(duì)話曲目。
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好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
死亡將至
A family whose daughter is seemingly possessed; their prayers seem to make matters worse. What sin did they commit?