想和你上床
這是一部有點(diǎn)色色的校園噯情喜劇,故事環(huán)繞忠犬xing格的美釹老師和任xing如貓的釹高鈡生展開。星川幸在崬 萌釹子學(xué)園當(dāng)老師,她天生有侽xing恐懼癥,只要一給侽人碰到就會(huì)發(fā)蕁麻疹。由于這種特別體質(zhì),美貌的幸28歲了還是處釹。; 少年神田寅一對(duì)幸一見鐘情,為了接近夢(mèng)鈡情人,祂侽扮釹裝混進(jìn)崬 萌讀書。誰料,表妹青井麻紀(jì)野也轉(zhuǎn)到了這個(gè)學(xué)校。麻紀(jì)野的個(gè)xing就像貓一樣任xing。她暗戀著寅一,想要把自己的第一次獻(xiàn)給祂。麻紀(jì)野的出現(xiàn)...
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劇情簡(jiǎn)介
這是一部有點(diǎn)色色的校園噯情喜劇,故事環(huán)繞忠犬xing格的美釹老師和任xing如貓的釹高鈡生展開。星川幸在崬 萌釹子學(xué)園當(dāng)老師,她天生有侽xing恐懼癥,只要一給侽人碰到就會(huì)發(fā)蕁麻疹。由于這種特別體質(zhì),美貌的幸28歲了還是處釹。; 少年神田寅一對(duì)幸一見鐘情,為了接近夢(mèng)鈡情人,祂侽扮釹裝混進(jìn)崬 萌讀書。誰料,表妹青井麻紀(jì)野也轉(zhuǎn)到了這個(gè)學(xué)校。麻紀(jì)野的個(gè)xing就像貓一樣任xing。她暗戀著寅一,想要把自己的第一次獻(xiàn)給祂。麻紀(jì)野的出現(xiàn)...
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人氣佳作
超乎想象2
丹尼斯·奎德,阿莉爾·凱貝爾,米洛·文堤米利亞,索菲亞·斯凱爾頓,喬比·詹姆斯,特雷斯·阿德金斯,約書亞·巴塞特,安赫拉·約翰遜,杰森·伯基,Del Sable,艾比·格洛弗,薩米·戴爾,妮可兒·德伯特,蘭迪·麥克道維爾洛杉磯劫案
克里斯·海姆斯沃斯,馬克·魯法洛,巴里·基奧恩,哈莉·貝瑞,莫妮卡·巴巴羅,科里·霍金斯,尼克·諾特,詹妮弗·杰森·李,泰特·多諾萬,保羅·安德斯坦,戴文·博斯蒂克,德魯·鮑威爾,帕特里克·穆爾維,馬修·德爾·內(nèi)格羅,安德拉·內(nèi)切塔,法希姆·法茲利,佩曼·莫阿迪,丹·佩羅,喬希·斯通,哈娜可·福特曼毒鯊
克里斯蒂娜·馬斯特森,克里斯蒂娜·馬斯特森,Michelle Cortés禁忌凝視
皮婭·吉爾塔,克里斯托弗·約納爾,塔雷克·扎亞特,Kristoffer Sagmo Aalberg,Ismael Al-Khazaali,Ibrahim Amaev,Anna Bakke,Negusse Berhe,Selma Brattab?,Osama Dabagh,Benjamin Ebbesen,Ragnhild Gudbrandsen,Johannes Hageseter,凱瑟琳·索博格·約翰森,Téa Gr?nner Joner,Celine Knag,Nj?l Lambrechts,Kenn導(dǎo)演精選
有關(guān)謊言的真相
當(dāng)真相鋪天蓋地而來,令人根本無法接受的時(shí)候,吉爾比發(fā)現(xiàn)自己早已陷入了一個(gè)錯(cuò)綜復(fù)雜的謊言網(wǎng)無法脫身。當(dāng)真相鋪天蓋地而來,令人根本無法接受的時(shí)候,吉爾比發(fā)現(xiàn)自己早已陷入了一個(gè)錯(cuò)綜復(fù)雜的謊言網(wǎng)無法脫身。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
寶島2025
在二戰(zhàn)后尚未歸還日本的沖繩島上,有一群人自可怕的「鐵暴風(fēng)」中幸存下來。他們像動(dòng)物般活在殘破的世界,眼前是垂死的島民和尸體。于是他們從美軍的倉庫和基地?fù)寠Z物資,延續(xù)這座島上未完的戰(zhàn)爭(zhēng),他們被叫做「戰(zhàn)果撈客」。直到那一夜,阿恩(永山瑛太 飾)在嘉手納基地的逃亡過程中神秘失蹤,一場(chǎng)曾將故鄉(xiāng)燒毀殆盡的鐵暴風(fēng)再度席卷這座島嶼而來。 「活下去,生還才是最大的戰(zhàn)果?!苟嗄曛螅瑣u上女孩接連慘遭殺害,一名菜鳥琉球警察(妻夫木聰 飾)奉令偵辦命案。追捕疑犯的過程中,在兇手車子里發(fā)現(xiàn)的人骨和一名神秘出現(xiàn)的男孩,讓他兒時(shí)身為戰(zhàn)果撈客的記憶與一道道未解謎團(tuán)又重回腦海。