妓院里的回憶 L'apollonide (Souvenirs de la maison close)

評分：7.9 播放：47萬 更新：2026-05-04

1900年的巴黎，妓院普蘿奈像一座宮廷一樣，成為寒夜里最溫暖的地方。波莉娜·德埃（Iliana Zabeth 飾）剛十五歲半，寫了封自薦信要求到妓院工作，聲稱希望“自由”；美麗的瑪蓮娜（Alice Barnole 飾）遇上一個(gè)肯給她藍(lán)寶石的客人，她以為是愛情，卻迎來把她割成笑面人的刀子；朱莉（Jasmine Trinca 飾）不幸染上梅毒，老相好只給她寫來情意綿綿的信，放任她死亡，只有姐妹們哭泣……妓院里浮光掠影著百年前的種種，男人和貴族們的奇怪欲望，女人們被持續(xù)物化，虐戀和疾病永不止息，假面舞會(huì)要終結(jié)怎樣的痛苦……

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大衛(wèi)·奧伊羅,魯奇婭·伯納德,吉米·費(fèi)爾斯,奧利維亞·華盛頓,托馬斯·卡德羅特,亞歷山大·索托,Naomi Simpson,瑞恩·馬爾凱,Gerardo Barcala,凱特·蓋多西克,Trell Isaac,Julie Nolin,Matthew Mylrea,Aiden Stoxx,Alexander Davis,Glenn Hoffmann,巴里·佩珀,Nigel Gentry,Gavin Turnbull,Yorkie Joaquin

 A man in solitary confinement for seven years comes out into a world of self-isolation.

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

玉米地的孩子：起源

琳達(dá)·漢密爾頓,考特尼·蓋恩斯,彼得·霍頓

　　年輕情侶波頓（Peter Horton 飾）和維姬（Linda Hamilton 飾）旅行路過內(nèi)布拉斯加州蓋特林鎮(zhèn)，他們在公路上發(fā)現(xiàn)一具兒童尸體。為了報(bào)警，兩人驅(qū)車駛?cè)肷w特林鎮(zhèn)，卻發(fā)現(xiàn)鎮(zhèn)上的情況更為詭異蹊蹺：這里似乎是兒童的王國，所有成人均不見蹤影。孩子們?nèi)悸犆谝粋€(gè)名叫艾塞克（John Franklin 約翰?法蘭克林 飾）、自稱上帝使者的小男孩?！　℃?zhèn)上的大人究竟哪里去了？孩子們充滿惡意的眼神背后究竟隱藏著什么秘密？波頓和維姬最終能否活著走出小鎮(zhèn)？　　本片榮獲1984年布魯塞爾國際奇幻電影節(jié)最佳奇幻電影獎(jiǎng)。

挑戰(zhàn)未來2：星云

Sue Price,查德·斯塔赫斯基,Sharon Bruneau

　　亞歷克斯失敗后過去了73年，人類也失去了半機(jī)械人的戰(zhàn)爭。從那時(shí)起，人類就被奴役了。科學(xué)家們已經(jīng)開發(fā)出一種新的DNA毒株，這可能標(biāo)志著Cyborgs的終結(jié)，并將其注射到志愿者身上。當(dāng)生化機(jī)器人了解到這個(gè)女人和嬰兒時(shí)，他們都要終止。為了逃跑，她帶著一艘偷來的半機(jī)械人的船，在1980年回到了東非，在那里，母親被殺，但孩子得救了。這需要20年的時(shí)間，但半人半人的獵人星云最終找到了這個(gè)名叫亞歷克斯的女孩，并及時(shí)趕回來終結(jié)她的生命。