歡迎來(lái)到生粹莊

1.7 播放:35萬(wàn) 2026-04-22
主演:未知

主角蘆藤聰志是個(gè)靠獎(jiǎng)學(xué)金通學(xué)的大學(xué)生。有天他當(dāng)上公寓管理員、只是住在那的大姐姐們都是些怪咖!在修理時(shí)鐘時(shí)遇到自稱(chēng)座敷童子的大姊、她說(shuō)這充滿陰氣的公寓半年后會(huì)發(fā)生重大意外、讓你人生之后一蹶不振。為了避免這災(zāi)難、主角必須用陽(yáng)氣灌滿這里的住戶=用精液中出灌

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無(wú)主之人

伊利亞·伍德,盧克·柯比,阿萊卡薩·帕拉迪諾,羅伯特·帕特里克,W·厄爾·布朗,Gilbert Owuor,克里斯蒂安·克萊門(mén)松,雨果·阿姆斯特朗,尼卡恩·羅賓遜,威爾·哈里斯,Emily Berry,Steven Pritchard,Jarrett Sleeper,道格·考克斯,湯姆·維圖

  伊利亞·伍德將主演犯罪題材驚悚片[無(wú)主之人](No Man Of God,暫譯)。Amber Sealey執(zhí)導(dǎo),C·羅伯特·嘉吉([險(xiǎn)惡])操刀劇本。影片設(shè)定在一個(gè)單獨(dú)的審訊室中,故事根據(jù)FBI心理分析師比爾·哈格邁爾(伍德飾)與連環(huán)殺手邦迪于1984年至1989年之間的對(duì)話文字摘錄改編,影片將詳細(xì)介紹邦迪在死囚牢房最后幾年間,兩人之間復(fù)雜的關(guān)系。

趕山人傳奇

  該電影以民國(guó)民俗懸疑為題材,講述了一個(gè)二十年前的悲劇,以及二十年后的探秘之旅。在二十年前,龍二奎(由劉交心扮演)在趕山途中救助山中麻風(fēng)病院,但一次誤用山中藥材卻引發(fā)了一場(chǎng)悲劇。二十年后,龍二奎攜帶徒弟林耀山(由張倬聞扮演)等人再次踏上趕山之路,尋找未知的秘密。

薩利姆鬼屋事件

小比爾·奧伯斯特,Courtney Abbiati,Jenna Stone

  新警長(zhǎng)一家住進(jìn)了免費(fèi)的一個(gè)很大的老房子里,但里面卻有....  The new town sheriff moves into a large creepy old house with his family. It seems that in the town of Salem there's a special house for the sheriff to live in gratis. Unfortunately it's haunted by witches that have a strong craving for sheriff's blood.

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

犬之力

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杯酒人生

保羅·吉亞瑪提,托馬斯·哈登·丘奇,維吉妮婭·馬德森,吳珊卓,瑪麗路易絲·貝克,杰西卡·赫特,米茜·多蒂,邁克·康納·蓋尼,阿萊西婭·雷納,謝可·圖克馬尼安,肖恩·杜克,羅伯特·科瓦呂比亞,派崔克·蓋勒,斯蒂芬妮·法拉希,喬·馬里內(nèi)利,皮特·丹尼斯,菲爾·里夫斯,萊茜·雷

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