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靈菁傳
胡悅,龔小鈞,孟璐,何聰睿,吳驍栩,曾語(yǔ)喬象山發(fā)光事件
小沈陽(yáng),王唯,張登平,倪景陽(yáng),田理,董芷依,胡涂,李歐,孟和烏力吉凱多湖的消失
迪倫·奧布萊恩,伊萊扎·斯坎倫,黛安娜·霍佩爾,卡羅琳·?？?山姆·亨寧斯,埃里克·蘭格,勞倫·艾波羅絲,Nina Leon,蘭斯·E·尼克爾斯,大衛(wèi)·馬爾登那多,基姆·巴蒂斯特,Jody Sellers,Greysen Conley,Jules Hilillo Fernandez,Jennifer Sellers,Larry S. White II,A.C. Cooper,Zedrick Tinsley,Elizabeth Feliciano養(yǎng)鬼吃人
敖德薩·阿德隆,杰米·克萊頓,亞當(dāng)·費(fèi)森,德魯·斯塔基,布蘭登·弗林,伊芙·海因德,杰森·萊爾斯,尹金·奧洛倫尼夫,賽琳娜·露,扎卡里·興,基特·克拉克,高蘭·維斯耶克,西婭姆·阿巴斯,普里德拉格·比耶拉克,戈麗察·瑞格迪克,武卡辛·約萬(wàn)諾維奇,伊沃娜·庫(kù)斯圖迪奇,米奧德拉格·米洛瓦諾夫,尼古拉·肯特,凱蒂·戈伊科維奇空中輪胎
長(zhǎng)瀨智也,藤岡靛,高橋一生,深田恭子,岸部一德,笹野高史,寺脅康文,小池榮子,阿部顯嵐,中村蒼,室毅,柄本明,佐佐木藏之介,升毅,谷村美月怒獸出籠
丹尼爾·麥克弗森,盧克·海姆斯沃斯,羅素·克勞,布倫·福斯特,莫讓·阿里亞,馬特·納夫萊,凱莉·蓋爾,內(nèi)森·菲利普斯,Amy Shark,埃莉扎·德蘇扎,CJ·布隆菲爾德,喬治·布吉斯,Callan Colley,Saphira Moran,George Tilley,Liam Resnekov,羅基·弗里杰里奧,Alex Ballesteros同類推薦
創(chuàng)圣大天使：一發(fā)逆轉(zhuǎn)篇
寺島拓篤,嘉數(shù)由美,小林沙苗,森川智之,石冢運(yùn)升,玉川紗己子,飛田展男,小野坂昌也,阪口大助,日笠山亞美,青森伸,矢尾一樹(shù),兵藤真子,杉田智和,齋賀光希,樸璐美,風(fēng)間勇刀,佐藤裕美,四宮豪,仁科洋平,足立友,我妻正崇時(shí)長(zhǎng)半小時(shí)的短片。故事是發(fā)生在TV版中途的番外篇，突出兩位女主角的位置，并附帶“歌姬”設(shè)定……主題曲延用TV版前半部的OP（但收錄進(jìn)劇場(chǎng)版時(shí)被取消）。
歸途2025
伊沙恩·哈塔爾,詹維·卡浦爾,莉姆·謝赫,Vishal Jethwa北印度村莊的兩個(gè)好友為尋求尊嚴(yán)而競(jìng)逐警察職位，但在愈發(fā)絕望的追逐中，他們的友誼逐漸崩裂。
最終測(cè)試
安東尼·邁克爾·豪爾,查理·吉爾萊斯皮爾,漢娜·凱普爾,約翰·卡普洛斯,利麗克·羅斯一部關(guān)于一群高中高年級(jí)學(xué)生被迫在學(xué)校度過(guò)一個(gè)周六完成一項(xiàng)考試，他們要么錯(cuò)過(guò)了考試，要么考試不及格。一天下來(lái)，他們?cè)谧约汉屯瑢W(xué)身上找到了自己的價(jià)值觀、背叛和愛(ài)。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
少林俗家弟子
范冬雨,何晴,丁嵐,王赤,趙小銳程家少爺程亦鵬（范冬雨 飾）癡迷武術(shù)，程父試圖用婚姻約束其行為，程亦鵬遂決定遠(yuǎn)上少林做俗家弟子，如此既可躲避習(xí)武力強(qiáng)的未婚妻小翠，又能學(xué)習(xí)少林功夫，在與心上人小晴（何晴 飾）話別后，亦鵬奔赴少林。然而師父恒德（趙小銳 飾）日日只是讓一班俗家弟子做苦工，不肯教授少林功夫，師兄弟們雖不滿卻也無(wú)可奈何，加之小晴在少林附近落腳，程亦鵬和師兄弟們學(xué)著用各種方法苦中作樂(lè)。曾經(jīng)被逐出少林的一游俠在遍訪名師后，意欲挑戰(zhàn)少林，以報(bào)當(dāng)年未學(xué)到武功之恨，程亦鵬等俗家弟子被游俠多次毆打，恒德欲同游俠較量反被方丈關(guān)入藏經(jīng)閣。程亦鵬經(jīng)過(guò)苦工打熬，終有習(xí)武資格，在恒德指點(diǎn)下向游俠一雪前恥……