怨婦2

★ 3.8 播放：65萬(wàn) 更新：2026-04-22

年輕漂亮有著火辣身材的少婦伊玲,有著一份非常不錯(cuò)的工作公路收費(fèi)站收費(fèi)員。但不幸的是她的丈夫奧力患有性功能障礙。每次ML奧力都要靠看大人電影喚起自己的欲望并且直接進(jìn)入主題。久而久之,普通的大人電影已使奧力變得麻木。為了滿(mǎn)足自己的欲望,奧力便學(xué)著黃片里面的方法對(duì)伊玲實(shí)施性虐待  從未有過(guò)快樂(lè)體驗(yàn)的伊玲本已厭惡奧力的所作所為,對(duì)于奧力逐漸瘋狂的變態(tài)行徑更是無(wú)從忍受。紅杏出墻引發(fā)的悲劇在所難免 

在線(xiàn)播放

劇情簡(jiǎn)介

年輕漂亮有著火辣身材的少婦伊玲,有著一份非常不錯(cuò)的工作公路收費(fèi)站收費(fèi)員。但不幸的是她的丈夫奧力患有性功能障礙。每次ML奧力都要靠看大人電影喚起自己的欲望并且直接進(jìn)入主題。久而久之,普通的大人電影已使奧力變得麻木。為了滿(mǎn)足自己的欲望,奧力便學(xué)著黃片里面的方法對(duì)伊玲實(shí)施性虐待  從未有過(guò)快樂(lè)體驗(yàn)的伊玲本已厭惡奧力的所作所為,對(duì)于奧力逐漸瘋狂的變態(tài)行徑更是無(wú)從忍受。紅杏出墻引發(fā)的悲劇在所難免 

導(dǎo)演精選

意亂情迷

《鋸齒狀心靈》講述的是一個(gè)女人被昏迷和奇怪的幻覺(jué)所困擾，她發(fā)現(xiàn)自己被困在了一系列的時(shí)間循環(huán)中，這可能與她神秘的新女友有關(guān)。

新萬(wàn)圣節(jié)

　　1963年，在位于美國(guó)的伊利諾斯州的霍登平原市。陰暗恐怖的夜色籠罩著這座死寂的小城市，一起奇異的慘案就在黑暗當(dāng)中發(fā)生了：梅爾斯家里只有六歲大小的邁克爾·梅爾斯（達(dá)格·法奇飾），殘忍的用棒球棒將母親的男朋友一棍一棍的錘成了肉泥，然后又將自己的姐姐以及姐姐的男朋友一同肢解得支離破碎、慘不忍睹……　　事實(shí)上，這個(gè)特別的小男孩兒在一生來(lái)似乎從面孔到內(nèi)心就充滿(mǎn)了深深的邪惡與仇恨。而令所有人萬(wàn)萬(wàn)沒(méi)有想到的是男孩剛剛長(zhǎng)到他6歲這一年便瘋狂般地露出了他猙獰的惡魔臉孔。而每一年象征著“群魔亂舞”的萬(wàn)圣節(jié)似乎也成了他活躍異常的時(shí)刻。　　根據(jù)美國(guó)當(dāng)?shù)氐姆?，未成年人殺人并不?huì)受到警方更嚴(yán)厲的制裁，最終裁定將這個(gè)心靈扭曲的少年送到了精神療養(yǎng)所進(jìn)行看管。在那里，一個(gè)名叫薩米爾·魯米斯的醫(yī)生負(fù)責(zé)調(diào)教和看管惡魔男孩兒。從未見(jiàn)識(shí)過(guò)如此兇殘的兒童的魯米斯想盡一切辦法接近這個(gè)可怕少年的心靈，試圖去影響、改變他的一切。但醫(yī)生做的所有嘗試都最終以失敗而告終。邁克爾·梅爾斯是一個(gè)極其頑固的邪惡的載體，他沒(méi)有理智、毫無(wú)人性可言，有的只是日益強(qiáng)悍的身體和越來(lái)越強(qiáng)烈的暴虐和不斷增長(zhǎng)的殺戮欲望——薩米爾·魯米斯最后也意識(shí)到了這點(diǎn)，但似乎所有這一切都已經(jīng)為時(shí)太晚了?！　≡诒魂P(guān)押了漫長(zhǎng)的十七年之后，已經(jīng)“長(zhǎng)大成人”的邁克爾·梅爾斯憑借強(qiáng)壯的身體終于找到機(jī)會(huì)逃出了逼仄的牢籠。壓抑已久的仇復(fù)與殺戮的惡魔之心終于得到了釋放的機(jī)會(huì)，他迫不及待的回到霍登平原市，去尋找他唯一真正愛(ài)護(hù)過(guò)的妹妹勞瑞?！　∵@一切的真相，只有薩米爾·魯米斯知道，老醫(yī)生深知他的目的所在；也只有薩米爾·魯米斯知道，任何不幸遭遇惡魔邁克爾·梅爾斯的人都將以最慘痛的方式付出自己的生命做代價(jià)。如今，留給他的時(shí)間已經(jīng)不多，他要竭盡全力去警告無(wú)知的人們，并保護(hù)這家人唯一的希望——?jiǎng)谌稹Ｅc此同時(shí)，為了所有其他人的無(wú)辜性命，魯米斯還要拼盡全力找到并控制住瘋狂的邁克爾·梅爾斯。尤其是每當(dāng)月黑風(fēng)高的萬(wàn)圣節(jié)之夜悄悄降臨時(shí)……

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.