金姐

一秒2026

郭曉婷,周國賓,黨偉,鄧鋼

在新疆無垠的靜謐雪原上，一個逃離都市的年輕女孩，與一個將回憶鎖進(jìn)信箋的孤獨(dú)老人，意外成為彼此的“臨時家人”。他們一個學(xué)著與過去和解，一個學(xué)著向未來敞開，在極致純凈的天地間，共同寫就一封關(guān)于溫暖、陪伴與重新開始的冬日治愈詩篇。

地下角斗士

戴拉·紹,黎唯,黎明

　　Duke and Yan, two long time rivals, are competing in the world’s most dangerous underground fighting tournament, where powerful crimelords can gamble and influence who they fight, the terrain they fight on and what weapons will be used. In this high-stakes bloodsport where one wrong move can mean certain death, they must decide whether to play by the rules or to cast their honor aside and team up against the dark syndicate running the tournament and bring the entire system down.

要是晴天就好了

永野芽郁,芳根京子,萩原利久,江口德子,稻垣吾郎,倍賞美津子,吉行和子,藤間爽子,豐島花,富山繪里子,布施千賀子,高橋努,白本彩奈,宮澤美保

 本劇改編自自身也有護(hù)士經(jīng)驗(yàn)的藤岡陽子所著同名小說。故事發(fā)生在1945年的菲律賓，穿越時空的主人公，在戰(zhàn)爭時期物資匱乏、與死亡相伴的殘酷狀況下，與同伴們一起不失去希望地生活著，通過每天的生活，逐漸找回生存的力量。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

我很在乎

裴淳華,彼特·丁拉基,艾莎·岡薩雷斯,黛安·韋斯特,克里斯·梅西納,小伊塞亞·維特洛克,梅肯·布萊爾,艾麗西亞·維特,達(dá)米安·楊,尼古拉斯·羅根,利茲·恩格,喬治亞·萊曼,克里斯·埃弗里特,何塞·岡斯·阿爾維斯,凱文·芬內(nèi)西,珍妮爾·費(fèi)格利,杰米·加扎里安,阿德里安·M·蒙波因特

　　瑪拉（裴淳華 Rosamund Pike 飾）經(jīng)營著一家監(jiān)護(hù)人公司，她專門尋找身體情況欠佳同時又無依無靠的老年人下手，通過并不是那么合法的手段令自己成為他們的法定監(jiān)護(hù)人，將他們送進(jìn)療養(yǎng)院，之后便可接手和變賣他們的財(cái)產(chǎn)和房產(chǎn)，再將所得據(jù)為己有。　　某日，瑪拉將下一個“吞噬”的目標(biāo)放在了一位名叫珍妮弗（黛安娜·維斯特 Dianne Wiest 飾）的老太太身上，經(jīng)調(diào)查，珍妮弗沒有任何的親人，同時又擁有著價值不菲的遺產(chǎn)，簡直就是他們的最佳“肥羊”。在一番操作之后，珍妮弗被沒收手機(jī)關(guān)進(jìn)了療養(yǎng)院，但此時的瑪拉和她的戀人兼合伙人弗蘭（艾莎·岡薩雷斯 Eiza González 飾）并不知道的是，她們?nèi)巧狭艘粋€不該惹，也不能惹的人。

揚(yáng)帆

貝蒂·戴維斯,保羅·亨雷德,克勞德·雷恩斯,格拉黛絲·庫珀

 夏洛特（貝蒂·戴維斯 Bette Davis 飾）已經(jīng)能算得上是一個老姑娘了，她梳著呆板的發(fā)型，穿著保守的服裝，性格也古里古怪的，更糟糕的是，她似乎還染上了酗酒的壞毛病。在家人的建議之下，夏洛特決定踏上治療心靈的旅途，登上了駛往遠(yuǎn)方的游輪。在游輪上，夏洛特邂逅了名為杰瑞（保羅·亨雷德 Paul Henreid 飾）的男子，并且在誤打誤撞之中和杰瑞的女兒結(jié)下了深厚的友誼。很快，夏洛特就感到自己墜入了情網(wǎng)之中，然而，此時的杰瑞并不是自由身，他有這一段無法結(jié)束的婚姻。心碎的夏洛特選擇了離開，而夏洛特的母親也在不久之后撒手人寰。

伊曼紐爾的真相

卡雅·斯考達(dá)里奧,杰西卡·貝爾,阿爾弗雷德·莫里納,弗蘭西絲·奧康納,阿奈林·巴納德,吉米·辛普森,Gabriela Dias,斯賓塞·加雷特,山姆·賈格,凱文·麥克克科爾,安妮·拉姆塞

　　片中卡雅·斯考達(dá)里奧飾演伊曼紐爾，她迷上了長得酷像她死去母親的新鄰居(杰西卡·貝爾飾）。為了照顧她新生的孩子，伊曼紐爾陷入了一個虛幻易碎的世界，并成為了那里的守門人…