叫我鄭先生

★ 7.2 播放：18萬 更新：2026-04-27

“如果生命不可逆，我愿用最后的勇氣去換得對你所有的記憶”，影片講述了鄭先生患有阿茲海默癥，為了緩解自己對去世太太的逐漸遺忘，鄭先生決定在所有記憶消逝前重新踏上年輕時最懷念的那一段環(huán)島之旅。途中鄭先生遇到了一名年輕女孩，相似的心情和交集的旅程讓兩人在機緣巧合下開始結伴同行……

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劇情簡介

“如果生命不可逆，我愿用最后的勇氣去換得對你所有的記憶”，影片講述了鄭先生患有阿茲海默癥，為了緩解自己對去世太太的逐漸遺忘，鄭先生決定在所有記憶消逝前重新踏上年輕時最懷念的那一段環(huán)島之旅。途中鄭先生遇到了一名年輕女孩，相似的心情和交集的旅程讓兩人在機緣巧合下開始結伴同行……

導演精選

年獸

　　胡家莊年味漸淡，寒暑異常，舞獅少年羅川跳脫飛揚，異想天開，夢想把舞獅技藝發(fā)揚光大，卻常常弄巧成拙，所到之處雞飛狗跳，被村民視為“掃把星”，是村長胡長禮眼中的“危險分子”。年獸小五意外降臨人間，大鬧村莊，勾走了傳家寶——獅頭。羅川為找回獅頭，和下凡捉年獸的鼠仙阿細相識，兩人逐漸發(fā)現(xiàn)年獸并不可怕，可以和人類做朋友，但胡長禮愛村心切，被噬靈妖蠱惑，遁入瘋魔，制造了一場針對年獸的陰謀，最終羅川和阿細聯(lián)合村民，打敗了噬靈妖，喚醒了胡長禮，胡家莊重歸熱鬧，眾人歡歡喜喜迎接春節(jié)到來。

柔似蜜

改編自Frank Shyong撰寫的《洛杉磯時報》報道《一個垂死母親的計劃》(A Dying Mother’s Plan)。來自真實事件，被形容為“讓人心碎的故事，聚焦理解心理疾病的多層面的重要性，尤其是亞裔社群中”，講述在圣蓋博谷，一個患上癌癥絕癥的母親奮力想要幫助自己情緒不穩(wěn)定的兒子——她發(fā)現(xiàn)兒子對大規(guī)模槍擊案越發(fā)沉迷。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster