少林寺酒天鬼童

2.3 播放:84萬(wàn) 更新:2026-04-25

罕見(jiàn)的中西演員聯(lián)合演繹的古裝經(jīng)典,值得一看哦。在一個(gè)小鎮(zhèn)里生活著臭名昭著的邪惡廖。 當(dāng)他一個(gè)人在街上看到的女孩時(shí),一個(gè)看起來(lái)非常相似的女孩廖被強(qiáng)奸和謀殺 - 他吩咐他的男人檢查尸體。 他們發(fā)現(xiàn)女孩的尸體失蹤,并發(fā)現(xiàn)了鬼魂,巫婆和惡魔的驚險(xiǎn)神秘,所有這些都摧毀了愚蠢的廖。   

播放通道

詳細(xì)簡(jiǎn)介

罕見(jiàn)的中西演員聯(lián)合演繹的古裝經(jīng)典,值得一看哦。在一個(gè)小鎮(zhèn)里生活著臭名昭著的邪惡廖。 當(dāng)他一個(gè)人在街上看到的女孩時(shí),一個(gè)看起來(lái)非常相似的女孩廖被強(qiáng)奸和謀殺 - 他吩咐他的男人檢查尸體。 他們發(fā)現(xiàn)女孩的尸體失蹤,并發(fā)現(xiàn)了鬼魂,巫婆和惡魔的驚險(xiǎn)神秘,所有這些都摧毀了愚蠢的廖。   

同類(lèi)推薦

次世代機(jī)動(dòng)警察:首都決戰(zhàn)

真野惠里菜,福士誠(chéng)治,筧利夫,太田莉菜,千葉繁

  在毫無(wú)征兆的一個(gè)晴朗日子,一枚導(dǎo)彈筆直飛來(lái),將國(guó)際大都會(huì)東京都內(nèi)極具代表性的彩虹橋炸為兩截。該事件在都內(nèi)引起不小的騷動(dòng),此后不久,警視廳公安部外事三課的警部高畑慧(高島禮子 飾)帶著相關(guān)視頻資料找到藤田繼次(筧利夫 飾)所統(tǒng)率的特車(chē)二課,經(jīng)分析發(fā)現(xiàn)這次襲擊來(lái)自于那架自衛(wèi)隊(duì)不久前失竊的新型戰(zhàn)斗直升機(jī)AH-88J2改“灰色幽靈(Grey Ghost)”。經(jīng)高畑之口得知,該恐怖事件與拓植行人、灰原零(森カンナ 飾)有直接的關(guān)系。而在紛亂的實(shí)踐中,特車(chē)二課則面臨著被撤消的危險(xiǎn)?! |京一千萬(wàn)人口淪為暴動(dòng)分子的人質(zhì),面對(duì)前所未有的危機(jī),泉野明(真野惠里菜 飾)和她的LABOR能否力挽狂瀾?

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

地震之后電影版

岡田將生,鳴海唯,渡邊大知,佐藤浩市,橋本愛(ài),唐田英里佳,吹越滿(mǎn),黑崎煌代,堤真一,黑川想矢,井川遙,澀川清彥,津田寬治,錦戶(hù)亮,能年玲奈

  本作由井上剛擔(dān)任導(dǎo)演,與NHK四月播出的劇集《地震之后》共享故事框架,同時(shí)新增場(chǎng)景重新剪輯而成。該片基于村上春樹(shù)短篇小說(shuō)集《神的孩子全跳舞》中四則短篇,講述關(guān)于喪失與重生的故事。描繪1995年阪神淡路大地震后,四個(gè)在不同時(shí)代與地域背負(fù)孤獨(dú)生存之人的命運(yùn)交織,最終與當(dāng)下產(chǎn)生聯(lián)結(jié)的歷程。

星際之旅:木星計(jì)劃

讓-尼古拉·韋羅,朱莉·佩羅特,Julien Deschamps Jolin,Nadia Essadiqi,Pierre Verville,Marie-Ginette Guay,Roberto Mei,Ted Pluviose,Rapha?l Lacaille,Hubert Gagnon

  Four astronauts have to stay 1000 days in a space station around Earth in order to prove that a trip to Europa, one of Jupiter's moon, is possible. The experience goes well until something happens on earth.

三天

樸新陽(yáng),李民基,李來(lái)

  樸信陽(yáng)飾演父親車(chē)勝道(音譯),李民基(李暋起)飾演潘神父(姓為音譯)?! ≡撈v述在為女兒舉辦葬禮的三天時(shí)間中,與寄生在死去女兒心臟中突然蘇醒的惡魔進(jìn)行斗爭(zhēng)的超自然電影。