與公公偷腥的兒媳

? 2.9 播放:73萬 2026-05-01

賢珠因為懷疑丈夫燦植不忠,兩人成為了無性伴侶。有一天,她到公公家照顧因一場事故而暫時獨自生活的公公萬根,而沒有妻子束縛的燦植開始跟員工搞起了外遇,被父親發(fā)現后,父親與兒媳的關系也開始變得微妙起來..

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賢珠因為懷疑丈夫燦植不忠,兩人成為了無性伴侶。有一天,她到公公家照顧因一場事故而暫時獨自生活的公公萬根,而沒有妻子束縛的燦植開始跟員工搞起了外遇,被父親發(fā)現后,父親與兒媳的關系也開始變得微妙起來..

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  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

牙仙歷險記

  一位叛逆的青少年牙仙渴望探索超越自己封閉文明與嚴苛傳統的世界。在一次冒險中,他遇見了世界上最可愛的小巨魔,以及擁有科學天賦、勇敢無畏的小妖精。三個小小生物從此展開旅程,努力聯合各自的王國,同時躲避心懷不軌、蠢蠢欲動的蜘蛛威脅。