即刻觀影
劇情賞析
編輯推薦
網(wǎng)住你的心
伽羅·阿德瓦尼,阿迪提亞·西勒,Chirag Pardesi,Paras Gola,Rajesh Jais,Shivam Kakar,Manish Chaudhary,瑪麗卡·杜阿,Yudhishtir Urs,Ansuman Bhagat,Amit BimrotA coming-of-age story of a girl who experience life through misadventures & dating apps.
怪形前傳
瑪麗·伊麗莎白·溫斯特德,喬爾·埃哲頓,烏爾里奇·湯姆森,艾瑞克·克里斯蒂安·奧森,阿德沃爾·阿吉紐依-艾格拜吉,保羅·布朗斯坦,瓊德·埃斯彭·塞姆,Kim Bubbs,尤爾根·朗赫勒,簡·岡納·勒伊斯,斯蒂格·亨里克·霍夫,克里斯托弗·海維尤,霍·阿德里安·哈萬,卡斯騰·拜卓隆,喬納森·沃克,邁克爾·布朗時(shí)為1982年，一支隸屬挪威的三人南極科考隊(duì)在冰原中行進(jìn)，意外發(fā)現(xiàn)一艘一百萬年前的奇怪船只，并且在附近找到了凍于嚴(yán)冰之中的神秘生物。才貌雙全的美國古生物學(xué)家凱特·洛伊德（瑪麗·伊麗莎白·文斯蒂德 Mary Elizabeth Winstead 飾）在桑德爾·哈沃森博士（Ulrich Thomsen 飾）的邀請(qǐng)下，隨同一眾科研工作者前往南極。經(jīng)過認(rèn)真研究，他們發(fā)現(xiàn)這是地球上從未有過的生物。正當(dāng)科學(xué)家們?yōu)榱诉@個(gè)偉大的發(fā)現(xiàn)載歌載舞慶祝之時(shí)，神秘生物悄悄解凍，繼而向人類展開兇殘的襲擊。經(jīng)過一番慘烈的搏斗，怪物最終葬身火海?！ 〉嵌蜻\(yùn)并未就此結(jié)束，經(jīng)過對(duì)怪物細(xì)胞的觀測(cè)，凱特隱隱感到一場(chǎng)災(zāi)難正向全人類襲來……
祝你好運(yùn)2024
亞歷山德拉·達(dá)達(dá)里奧,柯瑞·福格爾瑪尼斯,邁爾斯·古鐵雷斯-賴?yán)?科爾·斯普羅斯,莉娜·鄧納姆,艾米·蘭德克,萊克西·安德伍德,麗莎·山田,賈德森·米爾斯,布萊恩·邁克爾·史密斯It follows a teen who after being kicked out of the house by their parents, embarks upon a journey of self-discovery that teaches them about love, friendship, and family.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
總統(tǒng)的蛋糕
Banin Ahmad Nayef,Sajad Mohamad Qasem,Waheed Thabet Khreibat,Rahim AlHaj人人都中頭獎(jiǎng)，難道人人都想中頭獎(jiǎng)？九十年代伊拉克經(jīng)歷軍事及經(jīng)濟(jì)制裁，獨(dú)裁者薩達(dá)姆無懼動(dòng)亂，勒令全國為自己慶祝生日。九歲女孩「喜獲頭獎(jiǎng)」成為學(xué)校代表，被迫接下為總統(tǒng)炮制生日蛋糕的國家級(jí)重任。然而通貨膨脹、物資匱乏，雞蛋面粉都是奢侈品，女孩帶著寵物公雞，從沼澤向城市出發(fā)搜羅食材，完成這項(xiàng)國家交給她的任務(wù)！首有伊拉克電影進(jìn)軍戛納，編導(dǎo)借小女孩充滿稚氣卻堅(jiān)韌的目光，展現(xiàn)伊拉克從未被記錄過的一面，獻(xiàn)給在戰(zhàn)亂下仍能找到愛與友誼的小孩。戛納電影節(jié)金攝像機(jī)最佳首作。
勾魂谷
杰米·貝爾,Kris Marshall,Matthew Rhys,Andy Serkis,Hans Matheson故事發(fā)生在第一次世界大戰(zhàn)期間，英國聯(lián)軍和德軍之間的戰(zhàn)況日漸白熱化，每天都有無數(shù)的士兵們含恨死去，年僅十六歲的莎士比亞（杰米·貝爾 Jamie Bell 飾）亦參與了這場(chǎng)戰(zhàn)爭(zhēng)，戰(zhàn)場(chǎng)上傷痕累累的慘狀給他的心靈蒙上了厚厚的陰影。 某日，莎士比亞和一干戰(zhàn)友們正在進(jìn)行一項(xiàng)突襲任務(wù)，就在大家凝神鼻息偷偷前進(jìn)之時(shí)，一股不知從何而來的神秘?zé)熿F將他們包圍。之后，一行人來到了德軍的戰(zhàn)壕內(nèi)，然而這里了無生氣，有的只是一具具死相及其恐怖的尸體。這里究竟發(fā)生了什么？莎士比亞所在的連隊(duì)繼續(xù)前進(jìn)，詭異的事情不斷發(fā)生，連隊(duì)中亦不斷的有人喪命，莎士比亞隱約覺得，在前方等待著他們的正是地獄的入口。